20TH LATIN GRAMMY AWARDS - DOUBLE NOMINATION!
We are excited to announce that Otmaro Ruiz | Jimmy Branly | Jimmy Haslip's album titled Elemental has been nominated for two LATIN GRAMMY AWARDS: BEST JAZZ ALBUM & BEST ARRANGEMENT (Otmaro Ruiz for "Red Wall") "I especially loved "Red Wall" with its dark undertones and Yoruban feel" (Smooth Jazz Magazine - Avzal Ismail) Click here to listen “Elemental is a current jazz classic bringing elements of old and new to keep fans on their toes. (...) Elemental is a fusion of the most talented jazz artists of our time. More than that, though, the resulting sound is clearly greater than the sum of it's parts." (Travis Prescott, All About Jazz) "These guys slap some soul on the sauce." (George W. Harris, Jazz Weekly) "Superb in every respect, this is a MUST HAVE in your collection" (Avzal Ismail, Smooth Jazz Magazine) Elemental by Otmaro Ruiz, Jimmy Branly, and Jimmy Haslip is for die hard fans of fusion jazz, an elite circle of jazz connoisseurship. (Hans-Bernd Hülsmann, First View) Low end powerhouse and former Yellowjacket backbone, Jimmy Haslip collaborates with pianist, composer, arranger and educator Otmaro Ruíz and virtuosic rhythm guru Jimmy Branly for a project that is a perfect mix of composition and broad audience appeal. Mastered by Grammy nominee Rich Breen (Herbie Hancock, Norah Jones, Peter Erskine, Charlie Haden and more), "elemental" is a current jazz classic bringing elements of old and new to keep fans on their toes. Grammy nominee Otmaro Ruíz (2016), composer of most of the "elemental" tracks, holds an honorary doctorate from Shepherd University and has played with all the modern greats...Gino Vannelli, John McLaughlin, Tito Puente, Steve Winwood, John Patitucci, Vinnie Colaiuta just to name a few. Mr. Ruíz is regarded as one of the most sought-after keyboardists on the scene yet still finds time for teaching. He is a frequent guest clinician at Los Angeles Music Academy and Musician's Institute. Jimmy Branly is from Cuba and began his studies at the Conservatory of Music in Havana Adolfo Guzman and ENA (National School of Art). Mr. Branly also has played with greats from all genres including Colin Hay, Abraham Laboriel, Michael Nezmith, John Patitucci, Doc Severinsen, Ricky Martin, Andy Garcia, Natalie Cole, Gloria Estefan, Emilio Estefan. He performed at The White House in 2013 a Latin presentation for President Obama. Jimmy Haslip was a founding member and 32 year band mate of The Yellowjackets. Mr. Haslip has been nominated for 22 Grammy awards and has won 3. Over his 50+ years of playing, he has contributed to the biggest names in music over a plethora of genres (Jeff Lorber, David Sanborn, Jerry Garcia, Bruce Hornsby, Chaka Khan, Allan Holdsworth, Oz Noy to name a few) "Elemental" opens with "A Good Start" and right out of the gate leaves listeners slack-jawed. The high energy mover leads with dramatic injections from both Mr. Branly and Mr. Ruíz. These lyrical jabs give way to a simple, soaring melody on keyboards that establishes the emotional trajectory for the rest of the song. The trio brings the audience up then down then back up again all the while compelling exquisite anticipation. The troupe rewards in the end with a crescendo of harmonic punches as "A Good Start" gives way to "Greed". "Greed" leads with a coy, sly keyboard melody that is enticing. Mr. Branly and Mr. Haslip jump in quickly in a way that are both supportive and improvisational. The listener is left with a slightly uneasy feeling as the rhythm's presence rolls up and down and moves from support to spontaneous until Mr. Haslip steps out with a subdued but perfect solo. Mr. Branly rounds things out and brings it in as Mr. Ruíz's keyboards sail home. "Elemental" is a fusion of the most talented jazz artists of our time. More than that, though, the resulting sound is clearly greater than the sum of it's parts. When asked to comment on the compilation, Otmaro Ruíz thought carefully and stated simply, "Music for All". Indeed...music for all.
Grammy-nominated Pianist/Composer Otmaro Ruiz, Drummer Jimmy Branly and Bassist Jimmy Haslip team up together to create an incredible jazz trio album titled, "Elemental". Available on 11/23/2018 ARTIST INFOALBUM PAGE
Low end powerhouse and former Yellowjacket backbone, Jimmy Haslip collaborates with Scott Kinsey (Tribal Tech) and Hungarian superstar and session guru Gergö Borlai to create the best jazz release of this decade. ARC Trio features guest appearances by Vinnie Colaiuta, Gary Novak, Steve Tavaglione and Judd Miller and delivers unbelievably listenable virtuosity.
Jimmy Haslip was a founding member and 32 year band mate of The Yellowjackets. Mr. Haslip has been nominated for 22 Grammy awards and has won 3. Over his 50+ years of playing, he has contributed to the biggest names in music over a plethora of genres. To list a few:
• Jazz: Al Jarreau, John Scofield, Pat Metheny, Bill Evans, Randy Brecker, Toots Thielemans • Smooth Jazz: David Sanborn, Kenny G, Michael Bolton, The Rippingtons • Fusion: The Yellowjackets, Peter Erskine, Bela Fleck, Jeff Lorber, Allan Holdsworth and Alan Pasqua • Rock: Joe Cocker, Rod Stewart, George Harrison, Crosby, Stills & Nash, Jerry Garcia, Joe Walsh, Tommy Bolin and Gary Wright • Pop: Randy Newman, Bruce Hornsby, Kenny Loggins, Dusty Springfield, Gino Vannelli and Herb Alpert • Soul: Chaka Khan, Diana Ross, Anita Baker and Roy Ayers Ubiquity • Blues: Robben Ford, Oz Noy, Robert Cray and Harvey Mandel
A two-decade veteran of Tribal Tech, one of the most influential electric jazz groups, keyboard wizard Scott Kinsey has worked with many of the world’s greatest musicians including Scott Henderson, John McLaughlin, Oz Noy, Kurt Rosenwinkel, Gary Willis, Mike Stern, Matthew Garrison, Michael Landau, Nicholas Payton, Hadrien Feraud, Louis Cole, Tim Lefevbre, Dave Weckl, Dennis Chambers and many others. He is considered a protégé of jazz icon Joe Zawinul, with whom he collaborated for several years.
Hungarian drummer Gergö Borlai began playing at age 3 and has appeared on more than 300 albums. Since 2012, Mr. Borlai is a professor at the Liceu Academy/Jazz Departement in Barcelona and has received two lifetime achievement awards, the Golden Drumstick Prize and the Artisjus Lifetime Achievement Award in Hungary. He has played with greats such as Al DiMeola and Hiram Bullock.
ARC Trio opens with "Owosso" as Mr. Borlai places the listener under his spell with a rhythmic trance-like groove. Slowly, Mr. Haslip enters with his hypnotic response in lock-step with Scott Kinsey's subtle assurance on keys. When asked about Arc Trio, Mr. Haslip says, "I wrote music that deals with deeper emotional experiences...searching for knowledge and opening my awareness of a world in need". Certainly, a song like "Owosso" fits this bill and is timely in these contentious times.
The dynamic flow of ARC Trio leads followers skillfully to track four, "Viera", a song about Mr. Haslip's mother. At this point, the core trio makes introduction to guests that need no introduction. The soulful strength of Vinnie Colaiuta (Frank Zappa, Sting, Herbie Hancock, Jeff Beck, many others) on drums and Latin fusion hero Steve Tavaglione (Jorge Strunz, Eduardo Del Barrio, Dave Weckl, Sly & The Family Stone, Steve Winwood) on flute. This powerful tribute starts with distinct Latin rhythm and brings in Mr. Tavaglione' soaring injections. It is chaotic at first before locking in tightly and fusing genres and styles. The interplay of flute and keyboard melody is masterful on the a palette of constantly evolving drum and bass improvisation.
ARC Trio is the biggest sound you will hear this year. The fusion of gratifying sounds, feels and styles leaves one satisfied yet craving more. When asked about live performances relating to this masterpiece, Jimmy Haslip exclaimed without hesitation, "ROCK THE HOUSE". Hold on...it's going to be wild ride!
Artist Page: Jimmy Haslip | Scott Kinsey | Gergo Borlai
Album Page: ARC Trio
Dynamic organist David Ellington teams up with powerhouse drummer Chris Burroughs to form Duo Elevation with the release of their debut album, "Omar's Lament". Although a Duo, Duo Elevation is far from sparse; using multi-layered tracking to give listeners a look inside the brilliant arranging and production capabilities of these two masters. The result is a high energy journey of funky exploration into the powerful psychedelia of the early 1970's. David Ellington studied the traditional classical fare that kids typically learn. But as adolescence hit he became attracted to the many burgeoning styles available to him on the FM airways. Garage bands to church musicals gave way to study at Berklee College of Music and eventually the musical gumbo in the city of New Orleans. Mr. Ellington has taken full advantage of the diverse musical culture and studied with jazz statesman Ellis Marsalis all while playing in stylistically varied bands including leader of Chevere who played the NOLA Jazz Fest each year up until the Katrina Hurricane brought David to Atlanta in 2005. Shortly after arriving in Atlanta, David connected with drummer/percussionist/educator and Duo counterpart Chris Burroughs. Mr. Burroughs has performed throughout the United States, Europe, Japan and Australia with artists as varied as jam-guru Col. Bruce Hampton, blues champion Chris Duarte and Broadway singer and actress Jennifer Holiday. Collectively their musical experiences and special artistic chemistry make for an exciting elevated musical duo, known as Duo Elevation. The Duo's debut, "Omar's Lament", comes out shootin'. Opener "Slingin'" is a full-tilt, non-stop funk, jazz fusion effort that strikes right between the eyes. This song channels classic Yes songs from the early 1970's...capitalizing on straight-ahead jazz chops and drawing from the funk rock of their youth. The manic romp of Mr. Ellington's organ falls perfectly on the powerful, driving flow of Mr. Burroughs pulse. The explosion takes the listener from hectic to tight and together from second to second until the anthem crescendos, retards into Omar's Lament Pt.1, and gently fades away...where is this dynamic Duo taking us? Duo Elevation takes the listener to an unexpected station next. The pair pay homage to pop great Prince with a cover of The Beautiful Ones from the game changing album Purple Rain. In an era where Prince covers are not uncommon, this version is a remarkable head-turner. Take a floating trip down a lazy river with an organ melody behind the beat and a back beat right in the center to create a pocket you could drive a truck through. The concluding standard results in a hummable tribute that offers fresh insight into an unforgettable artist from an era of often relatively forgettable peers. Don't miss Duo Elevation's use of space to offer contemporary vision into funky fusion with elements of jazz, rock, soul and R&B. Featuring six originals and two covers, this psychedelia hard-hitting album keeps the spirit of the 1970’s alive, fused with a modern-day funky edgy twist. Heads are turning... Duo Elevation Artist Page"Omar's Lament" Album Page
Blue Canoe Records has released “Look Beyond The Rain” from veteran piano man Bob Thompson and The Bob Thompson Band. Mr. Thompson brings the optimism in a funky way with the help of legendary producer and long-time friend, Buzz Amato (Curtis Mayfield, Ben E. King, Kriss Kross). Referring to the theme of the album, Thompson asserts, “It is going to rain sometime on your life but you have to look beyond that. This music spreads love and makes people feel good.” Bob Thompson is a performer, band leader, and educator and is a staple in the music of West Virginia. A native of New York, Mr. Thompson came to West Virginia to study trumpet at West Virginia State University. In 1991, Bob joined the West Virginia Public Broadcasting's ground breaking "Mountain Stage", as house pianist and featured artist. He is also co-producer of Joy To The World, a Holiday Jazz Show broadcast on public radio nationwide (since 1992), heard internationally on Voice Of America and was just inducted into the West Virginia Music Hall of Fame in 2015. He has played all over the world with diverse artists including Bunky Green, Larry Coryell and recorded with Omar Hakim, Gerald Veasley and Kevin Eubanks. “Look Beyond The Rain” opens with “Time 2 B One” and reveals Bob Thompson dancing along an exhilarating melody. After a few bars John Inghram (bass) and Tim Courts (drums) lay down a solid funk groove cued by the piano’s opening. The opening track unfolds into a floating solo by Doug Payne (sax), a driving solo from Ryan Kennedy (guitar) and again from Mr. Thompson with a supporting solo that brings them all together. The exchange between them resolves by the end in a dreamy fade that leaves the listener wanting more. Possibly the most notable on the compilation is “The Swamp Stomp”. This time the listener is guided through the groove by a joyous and melodic theme on the saxophone. Again the rhythm section throws down a solid, funky groove and the listener is treated to delightful lick-swapping by some of the most talented musicians that the Eastern United States has to offer. The juxtaposition of the funk groove, wafting sax, beautifully linear fender rhodes and driving rock guitar really exposes the influences of this diverse group of individuals and melds into a solid singular voice. “Look Beyond The Rain” is a joyful experience, no doubt about it. These incredibly talented musicians have a way of delivering accessible melody, touching the heart of the listener and not overcomplicating things. Like any great artists, they make it look easy. “Look Beyond The Rain” is a must-listen for fans of jazz, rock, blues and funk. These songs will stir emotion and leave the listener...optimistic. |
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