“written by Bill Milkowski”.
This Press Release/Liner Notes originally appeared on the inside of the Physical CD packaging.
It was 30 years ago that South Florida guitarist Randy Bernsen burst onto the national scene with Music For Planets, People and Washing Machines, his auspicious debut for MCA Records that featured a lineup of such all-world players as Jaco Pastorius, Peter Erskine, Bob James, Bobby Thomas Jr., Othello Molineaux, Michael Urbaniak and Herbie Hancock. The proverbial hard act to follow, it was succeeded in 1986 by Bernsen’s acclaimed sophomore outing, Mo’ Wasabi, which had Jaco, Erskine and Hancock returning and also featured contributions from the likes of Michael Brecker, Toots Thielemans, Marcus Miller, Steve Gadd and Wayne Shorter. The guitarist completed his MCA trifecta with 1988’s similarly star-studded Paradise Citizens.
From 1990 to 1992, Bernsen was a member of the Zawinul Syndicate, replacing fellow Florida native Scott Henderson in Joe Zawinul’s exotic world music-meets-jazz ensemble and playing on the album Lost Tribes. More recently, he has toured and recorded with the Jaco Pastorius Big Band, appearing on the Jaco tribute albums Word Of Mouth Revisited in 2003 and The Word Is Out in 2006. Over the years, the longtime Fort Lauderdale resident has further showcased his six-string skills and composer-arranger prowess on a series of self-produced small group recordings (most recently 2012’s funky organ trio outing, App Teaser with guest artist John Medeski) while also earning his commercial pilot’s license, writing music for TV and touring through Japan and South East Asia.
GRACE NOTES marks Bernsen’s return to working on a bigger canvas with another all-star cast, including Yellowjackets co-founders Jimmy Haslip and Russell Ferrante, drummers Erskine, Gary Novak and Virgil Donati, keyboardists Scott Kinsey, Mac Chew and Colin James, saxophonist Steve Tavaglione, percussionists Luis Conte, Archie Pena and blues harmonica ace Rockin’ Jake. Florida homeboys Othello Molineaux, Bobby Thomas Jr. and Julius Pastorius (Jaco’s son) also make special guest appearances on his 12th album as a leader.
Co-produced by bassist Haslip, GRACE NOTES travels from a Miles Davis Tutu-era flavored jam to a crackling big band chart with some detours into soul-jazz, smooth jazz, funk, blues and N’awlins second line along the way. “It’s a collection of different musical elements that I’ve explored all coming together into one project,” says the guitarist, whose first road work was with Blood, Sweat & Tears back in 1977. “With Jimmy’s guidance and handpicking some of his L.A. bros for the project, Kinsey, Novak, Russell Ferrante, Virgil Donati and engineer Rich Breen, it all came together. I couldn’t be more pleased!”
Bernsen comes out stinging on the opener, a remake of the Yellowjackets’ slow grooving “Black Top” (from 2009’s Dreamland). While Steve Tavaglione conjures up an ominous Miles muted trumpet vibe on EWI, Novak powers the track with his slamming backbeat alongside Haslip’s slap basslines. Co-composer Ferrante provides some funky clarinet work on the bridge and comps in classic soul-jazz fashion on piano throughout. Randy’s slinky guitar solo pushes the envelope bot in his note and timbre choices, and Tavaglione takes the piece out with some sinuous soprano sax lines at the tag.
An ambitious re-imagining of Freddie Hubbard’s 1970 classic “Red Clay” features some dynamic big band flourishes courtesy of Bernsen’s guitar synth and Tavaglione’s synth horn work. Newcomer Max Boiko also contributes some tasty nuggets on trumpet. Randy shows some facile whammy bar articulation on his solo midway through the piece and also experiments with touches of harmonizer before drummer Erskine engages in a percussive breakdown with Conte’s congas to elevate the proceedings.
Easily his most impressive and personal project since the ‘80s, Bernsen’s star-studded GRACE NOTES has the veteran guitarist-composer covering a myriad of musical bases with confidence, swag and the chops to back it up.
Fromage is Atlanta-based pianist/ composer Randy Hoexter's second recording as a leader and Blue Canoe first. Randy’s vision was to chose a collection of cover songs, with the intent of re- inventing familiar material with a modern twist. However, instead of selecting deep and poetic material, Randy decided to take on the arguably greater challenge of "cheesy" pop songs. Once this concept was established, Randy interviewed many of his fellow musicians, did research, and dug into his own past to put this collection together.
Randy puts it like this:
"I did lots of research on surveys of the "worst songs" of all time, and certain titles kept popping up. These songs are part of the culture, especially for people my age. The goal here is not to make fun of these songs, but to take them seriously and do our best to make some modern art."
Once the material was selected, Randy went to work creating arrangements that both explored new harmonic and rhythmic areas but still honored the original themes and ideas in the songs. Many of the tunes were re-harmonized or given a new meter in order to take them in new directions. The timeless sound of Randy’s piano drives all the arrangements, and the majority of the charts feature a five- piece horn section with trumpet, saxophones, trombone and a signature bass clarinet. All of the instruments are brought forward at various times for solos and features.
These demanding, modern arrangements immediately brought to mind the talents of former Yellowjackets bassist Jimmy Haslip, who enthusiastically joined in. Legendary drummer Dave Weckl contributed three tracks as well. Randy also brought in a group of the Southeast's finest jazz players including saxophonist/multi woodwind virtuoso Sam Skelton, brilliant guitarist Trey Wright, Veteran session drummer Tom Knight and Cirque du Soleilpercussionist Kit Chatham.
Fromage, an elegant name for the everyday, sums up a recording that takes the listener to a new, and yet familiar place.
Randy Hoexter's Artist Page
Randy Hoexter's - "Fromage" Album Page
Joseph Patrick Moore updates the catalog with his 12th solo release, "Nevada Sun". Two years in the making, Mr. Moore has teamed up with...well, himself...to produce just right album at exactly the right time. He produced the album and plays every instrument himself while, per his usual modus operandi, spanning genres from smooth jazz to Persian groove...from pop to funk and even a reggae-tinged number.
For nearly two decades Joseph Patrick Moore has been touring, recording, and establishing himself as an artist with a unique voice and a diversity of talents. His skills as bassist, composer, arranger, producer, author, educator and founding partner of Blue Canoe Records and Blue Canoe Digital. Moore's music and creative vision echo the spirits of Quincy Jones, Herbie Hancock and Miles Davis to name a few. Over the years, Mr. Moore has played with some of the great musicians of our time including Earl Klugh, Stewart Copeland (The Police), Bob James, John Popper, Derek Trucks, Michael Tolcher (A&M/J Records), Colonel Bruce Hampton, Bo Bice (American Idol) and many others. The record label he created in 2003, Blue Canoe Records, recently put out two releases of trios that included 22-time Grammy Nominee and 3-time winner Jimmy Haslip (former Yellowjackets bassist and founding member). In his "spare time", Mr. Moore is an on call artist for the Cirque du Soleil show, “KA” at the MGM in Las Vegas...he keeps talented company.
"Nevada Sun" opens with the title track, a funky pop number that reaches out and grabs listeners attention straight out of the gate. Mr. Moore lays down a solid foundation with the drums keeping steady time against soaring guitar injections. Meanwhile, bouncy keyboard textures give way to a melody that grips the heart immediately until finally a solitary voice leads listeners gently to “Movement of Light”. Smooth jazz radio is tailor made for Nevada Sun's second track. Piano and a strong rhythmic figure point the listener to the genius of JPM's signature bass melodies. The journey of “Movement of Light” really highlights Mr. Moore's multi-instrumental talent and melodic sensibilities.
Further into "Nevada Sun", "Fearless" is like an infusion of cotton candy. It opens with an elastic piano hook on the upbeat...reggae style. Aside from the attention it garners, the steady island vibe and the sparse instrumentation in places really allow for the delivery to breathe in a resoundingly hopeful and playful way. "Fearless" is bound to be a go-to track on "Nevada Sun".
Once again Joseph Patrick Moore delivers the goods. The fusion of styles along with the constant pop and jazz sensibilities will make "Nevada Sun" rise to the top of your playlists. Be on the lookout for multi-media renditions of tracks from the album produced and filmed by, you guessed it, Joseph Patrick Moore!