Spotify Playlists from Blue Canoe Records. Adding and updating frequently: https://open.spotify.com/user/bluecanoerecords
Today Blue Canoe Records releases “Jimi Jazz” from jazz wonder Ron Westray. Westray’s fresh solo take on Jimi Hendrix classics blend bop with contemporary horn and makes it accessible to all listeners.
Professor Ron Westary’s professional contributions encompass a stunning list of achievements in the areas of performance, composition, recording and publishing. Since the early nineties he has performed in hundreds of performances around the globe as trombonist or lead trombonist with the most prestigious jazz ensembles in the world, including The Wynton Marsalis Septet, New York’s Jazz at Lincoln Center Orchestra, The Mingus Big Band, Irving Mayfield, The New Orleans Jazz Orchestra and the Marcus Roberts Ensemble. Mr. Westray has received critical acclaim in numerous publications including Ebony, Essence, Downbeat, JazzTimes, Life Magazine and The New Yorker. Josep Pedro, in an All About Jazz article, said of Ron, “…takes another step ahead while showing strong vocality and rich tone”.
“Jimi Jazz”, opens with the hypnotizing groove of “Purple Haze”. The first track opens with the familiar theme and gives to raucous horn and key solos that make a listener’s feet move and ears hear this classic from a new perspective. The the time “Purple Haze” hands off to “Hey Joe”, the listener is fully committed; bound by newborn harmonization of the standard that has permanent residency in many listener’s DNA. Mr. Westray finishes this stellar compilation with a fluid version of the lesser-known classic “Third Stone From The Sun”. While Hendrix used the original to showcase his rock, jazz and blues influences, the final track to “Jimi Jazz” unwinds the collection and equips the audience for another trip around the sun.
“Jimi Jazz” is a cerebral venture that explores a classic catalog in an entirely original and contemporary way. Ron Westray is a wizard on the trombone and solos this instrument in ways that any fan will be challenged to recall. Ron Westray’s “Jimi Jazz” is requisite listening for fans of Jimi Hendrix as well as those passionate about music that pushes boundaries and genres. Musical exploration was a common theme for Mr. Hendrix just as it is for Ron Westray.
Featuring: Ron Westray (trombone), Matt Rait (guitar), Ross MacIntyre (bass), Anthony Mitchelli (drums), Richard Whiteman & Dave Restivo (fender rhodes).
Dynamite duo Dan Baraszu and David Ellington have teamed up for an explosive eponymous debut album. With live wire Marlon Patton on drums, this band is raising eyebrows in the Atlanta area.
Hammond B-3 superstar Dave Ellington moved to Atlanta, GA in 2005 after 22 years in New Orleans playing and recording with dozens of acts including Walter "Wolfman" Washington and the late gospel and blues great Marva Wright. While in New Orleans he studied with Ellis Marsalis and created Chevere, an afro-Cuban jazz project. Their release entitled, "Baila Mi Ritmo" was chosen by Times Picayune music critic Keith Spera as one of the 'Top 20 recordings' of 2001. Since Hurricane Katrina, Ellington has spent time in Atlanta gigging with numerous jazz, blues and soul outfits while working on the Organ Trio.
Rising jazz guitar dynamo Dan Baraszu had been burning up the Atlanta jazz scene since graduation from Berklee College of Music and The University of Miami. While versed in many styles, Baraszu found his love for jazz at a young age when he discovered Wes Montgomery. Since arriving in Atlanta, he has freelanced for the top jazz players in town and once Ellington arrived, they just seemed to find each other. ”B3 Organ and guitar have always been such a great combination. Something about the sustain of the organ and the percussiveness attack of the guitar are very complimentary. I have always wanted to play with a cat like Dave that knows the tradition but also strives to push the music forward into new realms”, says Baraszu. Since connecting, the dynamic duo have combined in numerous configurations but none felt as satisfying as the Organ Trio. “I love what happens when we play together (in the organ trio format); the sound, the vibe, the songs - everything!” informs Ellington.
Hailing from Atlanta, Marlon Patton has literally played drums his entire life. He studied music at The University of Georgia and has vast experience in genres as diverse as modern and straight ahead jazz, rock, hip hop, Latin, salsa and afro-Cuban. He records and performs year-round all over the world and boast performance credits with John Patitucci, Rufus Reid, Wycliffe Gordon, Mike Wofford and Sade.
The album opens with "Road Rage" and displays magical interplay between guitar and organ. The conversation is colorful and the guitar solo embraces Baraszu's inner George Benson. When Ellington fires up on his B-3, hints of Joey DeFrancesco and Jimmy Smith are exposed while New Orleans echoes throughout. When the funky Doodah Man rolls out, Marlon Patton's groove sets the tone for delightful interaction that is accessible and radio ready. The compilation closes with a smokin' interpretation of the 1962 Quincy Jones classic, Soul Bossa Nova. The intertwined guitar and B-3 forces a smile at the familiar melody while eliciting awe at the fresh delivery.
"Dan Baraszu & David Ellington Organ Trio" is a rollercoaster of jazz, funk and soul that will please a diverse listening audience and leave the listener anxious for more. This is a trio to watch in 2014 and beyond.
Jazz drumming legend and Blue Canoe recording artist Jimmy "Junebug" Jackson has died. He was 55.
Jackson's family announced that the musician died on Wednesday, January 18, 2012 in Washington, DC where he lived and performed until his death from congestive heart failure.
For over twenty years, Jackson toured the world with legendary organist Jimmy Smith. In his time with Smith, Jackson performed with jazz greats McCoy Tyner, George Benson, Christian McBride and many others. His latest recording featured arrangements inspired by a 1961 collaboration between Cannonball Adderly and Nancy Wilson. Included on this masterpiece is a previously unreleased track featuring the late Jimmy Smith. Jackson was known as an unshakable sideman and for his strong, distinctive shuffle beat.
Jimmy "Junebug" Jackson was an unmatched talent that will be missed in the world of jazz
Listen to Jimmy in his own words...This audio interview was conducted at an Atlanta Starbucks with the late great Jimmy Junebug Jackson. It was recorded on a laptop computer and the background noise can be rather distracting. However in spite of this, we've decided to release this audio interview. In this un-edited and raw interview, Jimmy discusses working with Jimmy Smith, his early beginnings, his CD, words of wisdom and much much more. Interviewed by Joseph Patrick Moore for Blue Canoe Records.
Live From Austin, the latest album from trombonist Ron Westray and trumpeter Thomas Heflin. The album features internationally known artists such as Neal Caine, regular bassist with Harry Connick Jr., Eric Revis, featured bass player with the Branford Marsalis quartet, and drummer Adonis Rose, who toured extensively with Nicholas Payton. The group also features three of the top jazz musicians in Austin Texas: Elias Haslanger, Peter Stoltzman and David Sierra.
Heflin and Westray recorded the album in 2009 while living in Austin, TX. At the time Heflin was completing his doctorate in music and Westray was serving as professor of jazz at the University of Texas. The recording project was conceived as a way to capture the energy of live jazz in Austin, a city known as the “live music capital of the world.” It felt appropriate to make the recording at the jazz club, The Elephant Room, which was selected as one of the top ten jazz venues in the United States by Wynton Marsalis in USA TODAY. The recording features all original compositions from the pens of Westray, Heflin and Austin jazz star Elias Haslanger.
Ron Westray is already one of the most highly regarded trombonists of his generation. In addition to serving as lead trombonist with Wynton Marsalis and the Lincoln Center Jazz Orchestra, he is known for his collaborative album with Wycliffe Gordon on the Atlantic label entitled Bone Structure. In past years, he also toured as a member of the Marcus Roberts Quintet and the Mingus Big Band, as well as performed with a roster of jazz notables too long to list. In 2008, Westray released Medical Cures for the Chromatic Commands of the Inner City. Ron is currently an Associate Professor at York University (Toronto, CA) and also serves as the Oscar Peterson Chair in Jazz Performance.
Rising star Thomas Heflin has already gained a fan base internationally with his style and command of the trumpet. In 2005, he placed second in the Carmine Caruso International Jazz Trumpet Solo Competition in Seattle, Washington. Two years later, he released his debut album, Symmetry. Marco Maimeri's of Italy’s “Jazz Magazine,” described the CD as "… the extension of a charismatic leader with an innovative style, who has the heritage of Clifford Brown and Lee Morgan, but who does not forget the lessons of Freddie Hubbard…" In 2009, Heflin released his follow-up recording with the jazz collective “The New Five.” “Live from Austin” marks his third release on Blue Canoe Records. He currently lives in New York City where he works as the Program Manager of the Precollege Division at the Manhattan School of Music.
"Introducing The New 5" is a fresh post-bop debut with a classic quintet vibe. This compilation is the perfect fusion of classic and contemporary jazz. "Listening to this music is pure pleasure. I highly recommend it" - JoAnne Brackeen
The New 5 was born out of the doctoral music program at the University of Texas @ Austin. Thomas Heflin (trumpet) has played with Grammy-winner Stephon Harris, Donald Brown, James Williams, Lou Rawls and Ron Westray. In 2005, Mr. Heflin won second place in the Carmine Caruso International Jazz Trumpet Solo Competition in Seattle.
Michael Arthurs (tenor sax) has studied with Joe Lovano and George Coleman among others and was named the Outstanding Soloist at the Notre Dame Jazz Festival. Peter Stoltzman (piano) is the son of two-time Grammy-winning clarinetist Richard Stoltzman and has performed in prestigious places such as Carnegie Hall and The Hollywood Bowl. Mr. Stoltzman has been described as a "monster jazz piano player" by the late Jack Elliot (music director of the Mancini Institute and the Grammy Awards). David Colvin (drums) has performed on the David Letterman Show and Austin City Limits as a member of the rock outfit Heartless Bastards. Chris Budhan (bass) is a festival producer in Eastern Canada and presents more than 1,000 performances each summer as part of the City Stages and Always On Stage Festivals.
The New 5 is a premium example of the whole being greater than the sum of it's parts. They dynamic interplay between these rising stars is the reason jazz lovers push "repeat".
"Look What the Cats Drug In" opens with ripping guitar work from Dan Baraszu on "Neutron Star", a song inspired by Stevie Wonder's "Too High". There is no slowing down with the complex harmonies by Eugene Maslov on "Last Ray". Blue Canoe's stable of talented artists is further exposed in "Symmetry 1" with the fluid, highly polished lines of virtuoso trumpeter Thomas Heflin. The album continues with unimaginable horn players Bryan Lopes and Ron Westray as well as the stellar compositional and orchestral arranging of the Knoxville Jazz Orchestra. The compilation brings it home rhythmically with percussionists Philip Smith and Jimmy "Junebug" Jackson. Listen for the famous Jimmy Smith on the B3 on the final tune by Junebug, "Save Your Love For Me (live)".
"Look What the Cats Drug In" is a vibrant exploration of the post-bop gems in Blue Canoe Records' vast and ever-growing catalog. Quite literally, "Look What the Cats Drug In" displays the finest musicianship of modern jazz.
Bryan Lopes Trio's debut CD for Blue Canoe Records,"Bryan Lopes Trio Volume 1", is a high energy expedition crossing from jazz to R&B to funk and back again. This trio also displays the talent of award-winning drummer Jeff Sipe (Jonas Hellborg, Leftover Salmon, Derek Trucks, Susan Tedeschi, featured in Modern Drummer August 2008) and multi-instrumentalist Neil Fountain on bass (The Fiji Mariners, Jimmy Herring, Megaphone Man).
Atlanta first-call session man Bryan Lopes works with numerous incarnations of experimental jazz jam bands as well as some of the greats of jazz, pop, rock and R&B music including Chick Corea, Frank Sinatra, Bob Hope, Natalie Cole, Aretha Franklin, Ray Charles, Stone Temple Pilots and Don Henley among others. "Bryan Lopes is one of the most stylistically aggressive saxophonists living in the Southeast", says Jazziz writer James Rozzi. Lopes and crew lead listeners on a prismatic journey from jazz to funk to turbulent improvisation on this offering.
"Bouncy Pants" opens the release displaying the complex interaction between Sipe and Fountain as Lopes use of complex harmony suggestive of Michael Brecker. By the third and fourth tracks, "Happy Evil" and "Landau" the crew show their bop-chops with swinging rhythmic interaction and fantastic improvisatory stretches for which Lopes is famous. The album concludes with a funk jam of generous interplay and constantly changing tempos in "Terrelism" and the sultry "Two Pavilion Way" that conjures images of the lonely sax-man on a foggy, deserted street at 3am.
The first Blue Canoe Records release of the Bryan Lopes Trio does not disappoint. "Bryan Lopes Trio Volume 1" offers an adventurous journey into the modern jazz exploits of three of the most promising modern music-men of today.
The Knoxville Jazz Orchestra’s debut cd for Blue Canoe Records, “Blues Man from Memphis”, is a most adventurous big band effort featuring the work of Donald Brown. The recording also highlights the prodigious talents of three other world renowned artists: bassist John Clayton, vibraphonist Stefon Harris, and saxophonist Greg Tardy.
Pianist Donald Brown (who also produced the cd) is considered to be one of the most innovative composers in the field of jazz today. Among the many accolades Brown has received, trumpeter Wynton Marsalis says: “Donald Brown is a genius.” Bassist Ron Carter adds: “For those who look around and ask, ‘Where is the next great jazz composer? Who is going to lead the music into the twenty-first century?’ Look no further. Donald Brown is here.” Brown’s compositions have been recorded by many artists. Wynton Marsalis’ recording of “Insane Asylum” on “J-Mood” was nominated for a Grammy, as was Donald Byrd’s recording of “Theme for Malcolm”.
As a testimonial to Donald Brown’s expertise as a piano player, the late Art Blakey professed: “Donald Brown is one of my favorite accompanists with The Jazz Messengers since Cedar Walton and Walter Bishop, Jr.”
The KJO is a supercharged, motivated ensemble formed in 1999 by trumpet player/arranger Vance Thompson. Although a large group (17+ members), they perform regularly and have played prestigious venues such as The Montreaux Jazz Festival. The Knoxville Jazz Orchestra has a wide fan base, largely due to the enthusiasm incurred by compelling and exciting arrangements and famous guest artists.
All of the compositions on this cd are by Donald Brown. The arrangements and orchestrations are by Vance Thompson and Bill Mobley, respectively.
“Blues Man from Memphis” is an ingenious, inspired work for the contemporary jazz big band. Twenty-first century jazz is alive and thriving.
"Symmetry", the debut of jazz trumpeter Thomas Heflin, explores the vast possibilities of contemporary post bop jazz through a carefully balanced program of original compositions and thoughtfully selected cover tunes. The self produced cd admirably showcases Heflin's brilliant, highly praised improvisational skills as well as the formidable talents of his band, including four tracks featuring the late world renowned pianist James Williams.
A rising star in the jazz world, Heflin made waves on the international jazz scene in 2005 when he placed second in the prestigious Carmine Caruso International Trumpet Solo Competition in Seattle. One reviewer described his playing as "a very fluid approach... generating lines in a seamless, highly polished manner that is really a joy to experience."
Among the original compositions are "Symmetry", the title track which opens and closes the album; "Salutation", a piece based on Kalidasa's poem "Salutation to the Dawn", and the ballad "Eastern Star", dedicated to James Williams. Heflin also covers material ranging from Louis Armstrong's anthem "When It's Sleepy Time Down South" to Cole Porter's "Night and Day" to Stevie Wonder's "Ma Cherie Amour".
"Symmetry" is aptly titled: Thomas Heflin has achieved a fine sense of proportion through his original pieces and covers. And though it is one of the last recordings James Williams made before he passed away, perhaps a new jazz legend, Thomas Heflin, is emerging in his own right.
Jazz Pianist Eugene Maslov's CD, "Where the Light Comes From" (Blue Canoe Records) is an imaginative endeavor which not only shows off Maslov's extraordinary talent as pianist but demonstrates his remarkable abilities as composer, arranger and producer as well.
Eugene Maslov has been an active touring and recording musician over the past decade: he has recorded and performed with Shirley Horn; Toots Thielmans; Gary Burton; Eddie Gomez; Omar Hakim; Pearl Bailey as well as many others. Maslov now brings his prolific experience and encyclopedic knowledge of jazz form and improvisation to a format with a balanced concept, astutely and poetically rendered within the tight chemistry of his backup musicians which include guest appearances by Hubert Laws (flute) and Vinnie Colaiuta (drums).
The strength and entertainment value of this effort lie in Maslov's unique musical ideas, deeply rooted in contemporary post-bop jazz: "The irony of 'Where the Light Comes from'," says Maslov, "is that in my arrangements and compositions I am actually trying to touch upon the different shadows of the listener's feelings."
"Where the Light Comes From", by Eugene Maslov displays a sense of timelessness with an eye bent towards the future. Eugene's original composition's as well as his arrangement of the Miles Davis classic "Nardis", demonstrate the true beauty and originality of this extraordinary jazz artist.
On My Way Home is the long awaited solo release by drummer/vocalist Jimmy "Junebug" Jackson. It is a swinging tour de force of a cd echoing the spirits of the hard bop era while remaining firmly entrenched in contemporary jazz.
Jimmy Jackson's association with jazz is a profound experience in itself. For over 20 years Jackson toured the world with legendary organist Jimmy Smith, and during the course of this prestigious tenure he also performed with other such masters as McCoy Tyner; George Benson; Carlos Santana, and Christian McBride (who refers to Jimmy as "swinging Jimmy Jackson"). Having shared the stage for so many years with these and other giants of jazz - and the list is extensive - makes Jackson a icon in his own right.
On My Way Home features arrangements inspired by a 1961 collaboration between Cannonball Adderley and Nancy Wilson. There are several original tunes as well that keep the musical dialogue between past and present alive and intact. There is also a previously unreleased track recorded live in Tokyo featuring the late Jimmy Smith.
Whereas many musicians who have spent their careers as sidemen have difficulty shifting their status to center stage, Jackson's soulful vocals and commanding personality allow him the opportunity to front his talented quintet as well as maintaining his status as a world class drummer. "The collaboration between Cannonball Adderley and Nancy Wilson, was a record that really set me on fire about playing jazz when I was young," says Junebug, now 49: "On My Way Home is my way of paying tribute to them and all the other great artists who've inspired and guided me over the years."
A well meaning journalist once asked a famous trumpet player to define jazz. The response was "Man, if you don't know by now, you ain't never gonna know!" A definition of jazz is indeed elusive, but On My Way Home, by Jimmy "Junebug" Jackson, is jazz. Period. It displays a sense of timelessness and universality, a link between past and present, and that is what great art is all about.
"E.J. Hughes is a talented musician who understands the beauties and intricacies of the music, an artist destined to make a valuable contribution to this art form" - Sam Rivers (Grammy Nominated Artist)
EJ Hughes has performed with:
* Joe Lovano
* Sam Rivers RivBea Orchestra
* Speech & Arrested Development
EJ Hughes CD, "Something To Say" is an amazing array of original tunes that will inspire the avid jazz fan and novice alike. "Something To Say" is a refreshing CD from this uniquely original saxophonist.
Drummer Phillip Smith’s CD, “jazz consortium” is a swinging mix of traditional jazz standards. This group of talented musicians not only embraces the history of jazz with elegance and style, they create a fresh musical conversation piece. Phillip Smith and his consortium of jazz friends will inspire any jazz fan.
Phillip Smith - drums/producer
Bill Anschell - piano
Joseph Patrick Moore & Rodney Jordan - bass
Mike Kelly - guitar
Bryan Lopes - tenor saxophone
Dave Freeman - soprano saxophone
Bob Lewis - trombone