Spotify Playlists from Blue Canoe Records. Adding and updating frequently: https://open.spotify.com/user/bluecanoerecords
Blue Canoe Records latest release from Trey Wright is a ripping set of originals that moves from solid, classic jazz to sweet, sympathetic ballads with ease. The compositions on Songs From Oak Avenue deserve notice as does the playing of this group of veterans.
Songs from Oak Avenue is Mr. Wright’s second solo release on Blue Canoe Records and his follow-up to Thinking Out Loud (2009). This release is comprised of brilliant melodies and creative interaction with the sparse instrumentation. Each player, including Atlanta-based Grammy Award-winning saxophonist Mace Hibbard and expert rhythm section Marc Miller (bass) and Marlon Patton (drums/engineer), is given ample space to express ideas freely and dynamically…and all do so with mindful abandon. Mr. Wright is a jazz guitarist, composer and recording artist based in Roswell, GA. He is the co-founder of the Athens/Atlanta based jam band Squat. The group is a six-time winner of Best Jazz Band at the Flagpole Athens Music Awards and has been a featured artist at the Atlanta Jazz Festival, Bel Chere, The Twilight Athens Jazz Festival, The Cherry Blossom Festival, Harvest Midtown and Athfest. Several of Mr. Wright’s compositions with the group have received international airplay and have been featured on Sirius/XM radio and NPR’s All Things Considered.
Mr. Wright also performs freelance in the Athens and Atlanta area and has performed with Jimmy Haslip (Yellowjackets), John Patitucci, Joe Lovano, Corey Christiansen and Darmon Meader of the New York Voices. He has performed at the Montreux Jazz Festival, Jazz A Vienne and the World Sacred Music Festival in Bangalore, India. As a solo guitarist and with his trio, Mr. Wright has been a featured performer at the Athens Music and Arts Festival, The Lake Oconee Jazz Festival and the Atlanta Jazz Festival. Additionally, Mr. Wright is the guitar instructor at Kennesaw State University based in Kennesaw, GA.
Songs From Oak Avenue opens powerfully with “Boomerang”. Sam Skelton’s lush, industrious saxophone swings against Marc Miller’s walking bass pulse while Wright injects color in support of the melody. As the track unfolds, Mr. Skelton’s easily accessible melody expands to more challenging improvisational licks until finally giving way to a soaring electric solo from Trey Wright. The track ends in back and forth between the two that alternates between conversational style and a doubling of melody that ends the track as a warm invitation for the rest of Songs From Oak Avenue.
“Joni” is another distinguished track that highlights the talents of Trey Wright. “It is named and inspired by Joni Mitchell”, says Wright. “I have always been fascinated with her music…I was trying to emulate the floating feel and stream of consciousness approach of her music.” It opens with a subdued melody and tastefully chosen introduction to the inspirational talents of Grammy winner Mace Hibbard on the sax. The middle of this more contemporary tune this talented group is firing on all cylinders with all fully engaged and pushing each other forward against a rhythm section that delivers with forceful musicality.
Songs From Oak Avenue is a thoughtful, distinct offering put together by a group of veteran players that bring the right vibe at the right time. It is tastefully improvised and spacious while simultaneously thick and substantive. Trey Wright and his team are a group to be watched and Songs From Oak Avenue is an album to be heard…again and again.
Dynamite duo Dan Baraszu and David Ellington have teamed up for an explosive eponymous debut album. With live wire Marlon Patton on drums, this band is raising eyebrows in the Atlanta area.
Hammond B-3 superstar Dave Ellington moved to Atlanta, GA in 2005 after 22 years in New Orleans playing and recording with dozens of acts including Walter "Wolfman" Washington and the late gospel and blues great Marva Wright. While in New Orleans he studied with Ellis Marsalis and created Chevere, an afro-Cuban jazz project. Their release entitled, "Baila Mi Ritmo" was chosen by Times Picayune music critic Keith Spera as one of the 'Top 20 recordings' of 2001. Since Hurricane Katrina, Ellington has spent time in Atlanta gigging with numerous jazz, blues and soul outfits while working on the Organ Trio.
Rising jazz guitar dynamo Dan Baraszu had been burning up the Atlanta jazz scene since graduation from Berklee College of Music and The University of Miami. While versed in many styles, Baraszu found his love for jazz at a young age when he discovered Wes Montgomery. Since arriving in Atlanta, he has freelanced for the top jazz players in town and once Ellington arrived, they just seemed to find each other. ”B3 Organ and guitar have always been such a great combination. Something about the sustain of the organ and the percussiveness attack of the guitar are very complimentary. I have always wanted to play with a cat like Dave that knows the tradition but also strives to push the music forward into new realms”, says Baraszu. Since connecting, the dynamic duo have combined in numerous configurations but none felt as satisfying as the Organ Trio. “I love what happens when we play together (in the organ trio format); the sound, the vibe, the songs - everything!” informs Ellington.
Hailing from Atlanta, Marlon Patton has literally played drums his entire life. He studied music at The University of Georgia and has vast experience in genres as diverse as modern and straight ahead jazz, rock, hip hop, Latin, salsa and afro-Cuban. He records and performs year-round all over the world and boast performance credits with John Patitucci, Rufus Reid, Wycliffe Gordon, Mike Wofford and Sade.
The album opens with "Road Rage" and displays magical interplay between guitar and organ. The conversation is colorful and the guitar solo embraces Baraszu's inner George Benson. When Ellington fires up on his B-3, hints of Joey DeFrancesco and Jimmy Smith are exposed while New Orleans echoes throughout. When the funky Doodah Man rolls out, Marlon Patton's groove sets the tone for delightful interaction that is accessible and radio ready. The compilation closes with a smokin' interpretation of the 1962 Quincy Jones classic, Soul Bossa Nova. The intertwined guitar and B-3 forces a smile at the familiar melody while eliciting awe at the fresh delivery.
"Dan Baraszu & David Ellington Organ Trio" is a rollercoaster of jazz, funk and soul that will please a diverse listening audience and leave the listener anxious for more. This is a trio to watch in 2014 and beyond.
Jazz drumming legend and Blue Canoe recording artist Jimmy "Junebug" Jackson has died. He was 55.
Jackson's family announced that the musician died on Wednesday, January 18, 2012 in Washington, DC where he lived and performed until his death from congestive heart failure.
For over twenty years, Jackson toured the world with legendary organist Jimmy Smith. In his time with Smith, Jackson performed with jazz greats McCoy Tyner, George Benson, Christian McBride and many others. His latest recording featured arrangements inspired by a 1961 collaboration between Cannonball Adderly and Nancy Wilson. Included on this masterpiece is a previously unreleased track featuring the late Jimmy Smith. Jackson was known as an unshakable sideman and for his strong, distinctive shuffle beat.
Jimmy "Junebug" Jackson was an unmatched talent that will be missed in the world of jazz
Listen to Jimmy in his own words...This audio interview was conducted at an Atlanta Starbucks with the late great Jimmy Junebug Jackson. It was recorded on a laptop computer and the background noise can be rather distracting. However in spite of this, we've decided to release this audio interview. In this un-edited and raw interview, Jimmy discusses working with Jimmy Smith, his early beginnings, his CD, words of wisdom and much much more. Interviewed by Joseph Patrick Moore for Blue Canoe Records.
Live From Austin, the latest album from trombonist Ron Westray and trumpeter Thomas Heflin. The album features internationally known artists such as Neal Caine, regular bassist with Harry Connick Jr., Eric Revis, featured bass player with the Branford Marsalis quartet, and drummer Adonis Rose, who toured extensively with Nicholas Payton. The group also features three of the top jazz musicians in Austin Texas: Elias Haslanger, Peter Stoltzman and David Sierra.
Heflin and Westray recorded the album in 2009 while living in Austin, TX. At the time Heflin was completing his doctorate in music and Westray was serving as professor of jazz at the University of Texas. The recording project was conceived as a way to capture the energy of live jazz in Austin, a city known as the “live music capital of the world.” It felt appropriate to make the recording at the jazz club, The Elephant Room, which was selected as one of the top ten jazz venues in the United States by Wynton Marsalis in USA TODAY. The recording features all original compositions from the pens of Westray, Heflin and Austin jazz star Elias Haslanger.
Ron Westray is already one of the most highly regarded trombonists of his generation. In addition to serving as lead trombonist with Wynton Marsalis and the Lincoln Center Jazz Orchestra, he is known for his collaborative album with Wycliffe Gordon on the Atlantic label entitled Bone Structure. In past years, he also toured as a member of the Marcus Roberts Quintet and the Mingus Big Band, as well as performed with a roster of jazz notables too long to list. In 2008, Westray released Medical Cures for the Chromatic Commands of the Inner City. Ron is currently an Associate Professor at York University (Toronto, CA) and also serves as the Oscar Peterson Chair in Jazz Performance.
Rising star Thomas Heflin has already gained a fan base internationally with his style and command of the trumpet. In 2005, he placed second in the Carmine Caruso International Jazz Trumpet Solo Competition in Seattle, Washington. Two years later, he released his debut album, Symmetry. Marco Maimeri's of Italy’s “Jazz Magazine,” described the CD as "… the extension of a charismatic leader with an innovative style, who has the heritage of Clifford Brown and Lee Morgan, but who does not forget the lessons of Freddie Hubbard…" In 2009, Heflin released his follow-up recording with the jazz collective “The New Five.” “Live from Austin” marks his third release on Blue Canoe Records. He currently lives in New York City where he works as the Program Manager of the Precollege Division at the Manhattan School of Music.