Today Blue Canoe Records releases “Jimi Jazz” from jazz wonder Ron Westray. Westray’s fresh solo take on Jimi Hendrix classics blend bop with contemporary horn and makes it accessible to all listeners. Professor Ron Westary’s professional contributions encompass a stunning list of achievements in the areas of performance, composition, recording and publishing. Since the early nineties he has performed in hundreds of performances around the globe as trombonist or lead trombonist with the most prestigious jazz ensembles in the world, including The Wynton Marsalis Septet, New York’s Jazz at Lincoln Center Orchestra, The Mingus Big Band, Irving Mayfield, The New Orleans Jazz Orchestra and the Marcus Roberts Ensemble. Mr. Westray has received critical acclaim in numerous publications including Ebony, Essence, Downbeat, JazzTimes, Life Magazine and The New Yorker. Josep Pedro, in an All About Jazz article, said of Ron, “…takes another step ahead while showing strong vocality and rich tone”. “Jimi Jazz”, opens with the hypnotizing groove of “Purple Haze”. The first track opens with the familiar theme and gives to raucous horn and key solos that make a listener’s feet move and ears hear this classic from a new perspective. The the time “Purple Haze” hands off to “Hey Joe”, the listener is fully committed; bound by newborn harmonization of the standard that has permanent residency in many listener’s DNA. Mr. Westray finishes this stellar compilation with a fluid version of the lesser-known classic “Third Stone From The Sun”. While Hendrix used the original to showcase his rock, jazz and blues influences, the final track to “Jimi Jazz” unwinds the collection and equips the audience for another trip around the sun. “Jimi Jazz” is a cerebral venture that explores a classic catalog in an entirely original and contemporary way. Ron Westray is a wizard on the trombone and solos this instrument in ways that any fan will be challenged to recall. Ron Westray’s “Jimi Jazz” is requisite listening for fans of Jimi Hendrix as well as those passionate about music that pushes boundaries and genres. Musical exploration was a common theme for Mr. Hendrix just as it is for Ron Westray. Available: * iTunes * Amazon * EMusic * Spotify Featuring: Ron Westray (trombone), Matt Rait (guitar), Ross MacIntyre (bass), Anthony Mitchelli (drums), Richard Whiteman & Dave Restivo (fender rhodes). We are pleased to release Ron Westray's - Jimi Jazz (a tribute to Jimi Hendrix). Available today!
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Grammy Award winner Yonrico Scott releases - "Quest Of The Big Drum".
Featuring: Nick Rosen - keys/composer Joseph Patrick Moore - bass/composer/producer Dynamite duo Dan Baraszu and David Ellington have teamed up for an explosive eponymous debut album. With live wire Marlon Patton on drums, this band is raising eyebrows in the Atlanta area. Hammond B-3 superstar Dave Ellington moved to Atlanta, GA in 2005 after 22 years in New Orleans playing and recording with dozens of acts including Walter "Wolfman" Washington and the late gospel and blues great Marva Wright. While in New Orleans he studied with Ellis Marsalis and created Chevere, an afro-Cuban jazz project. Their release entitled, "Baila Mi Ritmo" was chosen by Times Picayune music critic Keith Spera as one of the 'Top 20 recordings' of 2001. Since Hurricane Katrina, Ellington has spent time in Atlanta gigging with numerous jazz, blues and soul outfits while working on the Organ Trio. Rising jazz guitar dynamo Dan Baraszu had been burning up the Atlanta jazz scene since graduation from Berklee College of Music and The University of Miami. While versed in many styles, Baraszu found his love for jazz at a young age when he discovered Wes Montgomery. Since arriving in Atlanta, he has freelanced for the top jazz players in town and once Ellington arrived, they just seemed to find each other. ”B3 Organ and guitar have always been such a great combination. Something about the sustain of the organ and the percussiveness attack of the guitar are very complimentary. I have always wanted to play with a cat like Dave that knows the tradition but also strives to push the music forward into new realms”, says Baraszu. Since connecting, the dynamic duo have combined in numerous configurations but none felt as satisfying as the Organ Trio. “I love what happens when we play together (in the organ trio format); the sound, the vibe, the songs - everything!” informs Ellington. Hailing from Atlanta, Marlon Patton has literally played drums his entire life. He studied music at The University of Georgia and has vast experience in genres as diverse as modern and straight ahead jazz, rock, hip hop, Latin, salsa and afro-Cuban. He records and performs year-round all over the world and boast performance credits with John Patitucci, Rufus Reid, Wycliffe Gordon, Mike Wofford and Sade. The album opens with "Road Rage" and displays magical interplay between guitar and organ. The conversation is colorful and the guitar solo embraces Baraszu's inner George Benson. When Ellington fires up on his B-3, hints of Joey DeFrancesco and Jimmy Smith are exposed while New Orleans echoes throughout. When the funky Doodah Man rolls out, Marlon Patton's groove sets the tone for delightful interaction that is accessible and radio ready. The compilation closes with a smokin' interpretation of the 1962 Quincy Jones classic, Soul Bossa Nova. The intertwined guitar and B-3 forces a smile at the familiar melody while eliciting awe at the fresh delivery. "Dan Baraszu & David Ellington Organ Trio" is a rollercoaster of jazz, funk and soul that will please a diverse listening audience and leave the listener anxious for more. This is a trio to watch in 2014 and beyond. Friendship, Hope, Joy, Inspiration, Desire, Peace and Strength are just some of the words that can describe the latest Blue Canoe Records release from Grammy Award winner Yonrico Scott. Mr. Scott takes the listener on a funk rock journey through the blues and delivers them with the feel of a gospel revival. On "Be In My World", Scott plays the role of percussionist, vocalist and co-producer while getting some help from old friends. Yonrico Scott is an American Grammy Award-winning drummer and percussionist. He was a longtime member of The Derek Trucks Band and is currently the drummer for recent sensation Royal Southern Brotherhood featuring Devon Allman, and Cyril Neville. In 2010, Scott accepted the Grammy Award for Best Contemporary Blues Album for The Derek Trucks Band for their 2009 album, "Already Free". Mr. Scott has played with industry big-names such as Stevie Wonder, Warren Haynes, Whitney Houston, Peabo Bryson, John Denver, and The Allman Brothers to name a few. With the Derek Trucks Band, he served as percussionist and contributing songwriter for 17 years. On "Be In My World", Yonrico hits the listener right between the eyes with opener and instant funk rock classic "Confused". As on many of the tracks, Scott gets an assist from keyboard/flute sensation Kofi Burbridge and producer Oliver W. Wells. With an instantly memorable groove, the listener begins a journey into the blues led by foundation members of the jamband circuit. "Confused" is the perfect way to begin this journey. Derek Trucks makes an appearance on power ballad "Hear Me Now" featuring the bluesy interplay between Trucks and Mace Hibbard on tenor sax. This soulful arrangement brings out classic Trucks and the Southern blues rock that made him famous. Mr. Scott brings the listener full circle on the final, title track "Be In My World". The invitation to "Be In My World" is an irresistible and sultry way to wrap up this dynamic effort. Featuring over 30 musician's, Yonrico Scott's world is a familiar yet fresh place and is destined to be a celebrated place to stay. To Africa With Love (Remix). Featuring: Rat Bastardz - remix artist/production Buzz Amato - keys/production DJ Kidd Star - loops/production Rick Hinkle - keys, composer Joseph Patrick Moore - keys, composer Tyrone Jackson - keys, pads, strings Wayne Viar - percussion Brian Carl - guitar Seth Condrey - vocals, composer Composer, producer and performer Joseph Patrick Moore weaves tribal rhythms into funk, pop and jazz melodies on his eighth solo release, "To Africa With Love". Mr. Moore connects with some old friends and new ones in this dedication to the Land of the Sahara. The work itself contains 13 songs that range in genre from Contemporary Jazz to Funk to Rock to Contemporary. Moore and company utilize funky blues man Charlie Wood to spark a contemporary version of the Meters classic "Fire on the Bayou" that requires the listener to get out of their seat and move. The opening track wastes no time showing off Mr. Moore's unmatched talent on the bass as the opening bass riff socks the listener between the eyes. It's off to the races as the blistering take on the Meters' standard blends rock and urban rhythms while never losing touch with that classic southern funky feel. The title track, "To Africa With Love" is a touching, current love song to a continent that has experienced so much injustice and tragedy. Featuring Dove award winner Seth Condrey on vocals, this touching remembrance is equally at home in Adult Contemporary or Contemporary Christian radio. When queried about the motivation for the song, Mr. Moore says, "...Music has the power to uplift, connect, heal and create universal harmony for the human race. As God's vessel, each of us are on a spiritual journey to develop and embrace the gifts He has given to us...and share them for and with our fellow man". "Stained Glass Aura" is another standout adventure. Bold contemporary jazz bass and forceful urban rock rhythms weave in and out of the sweetest of pop melodies. Moore's masterful production and arrangement on this piece really showcase his wizardry on both the fretless and fretted bass in ways that awe and inspire the imagination. "To Africa With Love" is an inspirational devotional to the people of Africa. It is a vibrant explorations into the genres and textures that inform contemporary composer, producer and performer Joseph Patrick Moore. Catch Moore's inspiring work in the upcoming tour with Earl Klugh and Bob James or at Eric Clapton's Crossroads Festival in Chicago with Earl Klugh. |
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