Spotify Playlists from Blue Canoe Records. Adding and updating frequently: https://open.spotify.com/user/bluecanoerecords
Trombonist Ron Westray releases an all original funky jazz CD titled, “Magisteria”. Produced, composed and performed from this Wynton Marsalis alumni.
Watch & Listen to Blue Canoe Recording Artist:
The RockTronix and their Magnificent Obsession
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Qello is the world's leading on-demand streaming service for full-length HD concert films and music documentarieswith members in more than 160 countries. Qello is the ultimate source to watch full-length concerts whenever you want, anytime, anywhere and on all your devices. With Qello, music enthusiasts can relive the concerts they loved, see the shows they've always wanted to experience, and discover artists they might never have seen.
Take a journey into the creative minds of one of the most adventurous bands of today. The Rocktronix capture on film the birth and evolution of their band including in depth interviews, unedited rehearsal footage, live performances and a full length music video.
The Rocktronix came together for the NAMM Bass Bash in 2013. They are a collaborative project drawing from the vast experience of Joseph Patrick Moore on bass (Stewart Copleland, Earl Klugh, Colonel. Bruce Hampton), Wayne Viar on drums (David Crowder, Bo Bice from American Idol) and Chris Blackwell on guitars (Geoff Mcbride, Trina Braxton, Jennifer Holiday). The film gives viewers an inside track on marrying music, video and the art of life by musicians that have much to say. By recording Magnificent Obsession in three days, the resulting product stands out with bottomless improvisation and spontaneous expression of musical ideas.
The group's chemistry is self-evident in The Magnificent Obsession Movie. Commenting on the powerful group dynamic, Mr. Moore says, "Music is a language. Without true collaboration, you're just talking to yourself". The movie shows the streaming of ideas between three veteran musicians and super-engineer Rush Anderson. Rush has worked in the studio or live with such superstars as Steve Morse (Deep Purple), Jimmy Herring (Widespread Panic) and jazz legend John McLaughlin (Miles Davis) to name a few. His vast experience and depth is palpable in the resulting tones and the quality of the production. His is a rare talent.
The diversity of the band's vision is particularly evident in the full length video for the song “When I Become A Butterfly” and “The Calling” contained in the film. Aside from the band's obvious classic rock influences, the evidence of classic alternative, electronica, jam band and even 60s era psychedelic rock. Rocktronix is a jazzy explosion of musical influences that just feels right. Magnificent Obsession the Movie grants the audience an opportunity to see how real collaboration comes together from embryonic ideas to aural and visual art.
We all have a story to tell...and this is one of obsession...a Magnificent Obsession.
Visit The Official Band Site: TheRockTronix.com
Visit The Official Movie Site: MagnificentObsessionMovie.com
Today Blue Canoe Records releases “Jimi Jazz” from jazz wonder Ron Westray. Westray’s fresh solo take on Jimi Hendrix classics blend bop with contemporary horn and makes it accessible to all listeners.
Professor Ron Westary’s professional contributions encompass a stunning list of achievements in the areas of performance, composition, recording and publishing. Since the early nineties he has performed in hundreds of performances around the globe as trombonist or lead trombonist with the most prestigious jazz ensembles in the world, including The Wynton Marsalis Septet, New York’s Jazz at Lincoln Center Orchestra, The Mingus Big Band, Irving Mayfield, The New Orleans Jazz Orchestra and the Marcus Roberts Ensemble. Mr. Westray has received critical acclaim in numerous publications including Ebony, Essence, Downbeat, JazzTimes, Life Magazine and The New Yorker. Josep Pedro, in an All About Jazz article, said of Ron, “…takes another step ahead while showing strong vocality and rich tone”.
“Jimi Jazz”, opens with the hypnotizing groove of “Purple Haze”. The first track opens with the familiar theme and gives to raucous horn and key solos that make a listener’s feet move and ears hear this classic from a new perspective. The the time “Purple Haze” hands off to “Hey Joe”, the listener is fully committed; bound by newborn harmonization of the standard that has permanent residency in many listener’s DNA. Mr. Westray finishes this stellar compilation with a fluid version of the lesser-known classic “Third Stone From The Sun”. While Hendrix used the original to showcase his rock, jazz and blues influences, the final track to “Jimi Jazz” unwinds the collection and equips the audience for another trip around the sun.
“Jimi Jazz” is a cerebral venture that explores a classic catalog in an entirely original and contemporary way. Ron Westray is a wizard on the trombone and solos this instrument in ways that any fan will be challenged to recall. Ron Westray’s “Jimi Jazz” is requisite listening for fans of Jimi Hendrix as well as those passionate about music that pushes boundaries and genres. Musical exploration was a common theme for Mr. Hendrix just as it is for Ron Westray.
Featuring: Ron Westray (trombone), Matt Rait (guitar), Ross MacIntyre (bass), Anthony Mitchelli (drums), Richard Whiteman & Dave Restivo (fender rhodes).
We are pleased to release Ron Westray's - Jimi Jazz (a tribute to Jimi Hendrix). Available today!
Listen on Spotify
Grammy Award winner Yonrico Scott releases - "Quest Of The Big Drum".
Nick Rosen - keys/composer
Joseph Patrick Moore - bass/composer/producer
Blue Canoe Records have released "XYZ Factor" from bassman, Joseph Patrick Moore. This bold, uber-current effort fuses elements of contemporary jazz, for which Mr. Moore is famous, with electronica and the delivery is a fresh and relevant EP that will appeal to his current fans and fans of electronica alike. In the same vein as artists BT , Owl City and Moby, Mr. Moore hits the listener with a smooth, irrepressible experience that encourages listeners to use the repeat function.
Joseph Patrick Moore is a prolific jazz, pop and rock musician as well as producer, session musician, film composer and author. He has worked with artists such as Stewart Copeland (The Police), Earl Klugh, Chris Duarte and Bob James to name a few. "XYZ Factor" is fresh on the release of "To Africa With Love" where Mr. Moore coupled its release with a mission trip to Africa where he got involved on the front line of support for The Kingdom of Swaziland.
The three song EP "XYZ Factor" starts with "Yield", an ambient electronic beat backed by Mr. Moore's signature bass tone. The haunting melody sticks with the listener long after the song resolves and is supported by a bubbling beat that forces feet to move.
"Xanadu", the second track, begins with a mysterious, synthesized mood that moves from left to right. The beat gently settles in and the echo of a dreamy voice calls from above. By the time the melody falls in, the addictive beat is ingratiated into your subconscious. From classical strings to ambient keys to contemporary jazz melody, this electronic hallucination is not to be missed.
"XYZ Factor" rounds off with the full-tilt "Zig Zag Zoom". Mr. Moore infuses pop melody lines over the Owl City like beat to create a dance party right from "Play".
"XYZ Factor" is co-produced by Buzz Amato (Curtis Mayfield, Ben E. King) as player, producer, composer and arranger coupled with Mr. Moore's bass stylings and production. This EP is a cerebral experience that punches to the core of today's electronic scene. Joseph Patrick Moore manages to stay ahead of trends in his pursuit of bringing worlds together through music. "XYZ Factor" is a must-listen for fans that love jazz, electronica and all points in between.
Bryan Lopes Trio's debut CD for Blue Canoe Records,"Bryan Lopes Trio Volume 1", is a high energy expedition crossing from jazz to R&B to funk and back again. This trio also displays the talent of award-winning drummer Jeff Sipe (Jonas Hellborg, Leftover Salmon, Derek Trucks, Susan Tedeschi, featured in Modern Drummer August 2008) and multi-instrumentalist Neil Fountain on bass (The Fiji Mariners, Jimmy Herring, Megaphone Man).
Atlanta first-call session man Bryan Lopes works with numerous incarnations of experimental jazz jam bands as well as some of the greats of jazz, pop, rock and R&B music including Chick Corea, Frank Sinatra, Bob Hope, Natalie Cole, Aretha Franklin, Ray Charles, Stone Temple Pilots and Don Henley among others. "Bryan Lopes is one of the most stylistically aggressive saxophonists living in the Southeast", says Jazziz writer James Rozzi. Lopes and crew lead listeners on a prismatic journey from jazz to funk to turbulent improvisation on this offering.
"Bouncy Pants" opens the release displaying the complex interaction between Sipe and Fountain as Lopes use of complex harmony suggestive of Michael Brecker. By the third and fourth tracks, "Happy Evil" and "Landau" the crew show their bop-chops with swinging rhythmic interaction and fantastic improvisatory stretches for which Lopes is famous. The album concludes with a funk jam of generous interplay and constantly changing tempos in "Terrelism" and the sultry "Two Pavilion Way" that conjures images of the lonely sax-man on a foggy, deserted street at 3am.
The first Blue Canoe Records release of the Bryan Lopes Trio does not disappoint. "Bryan Lopes Trio Volume 1" offers an adventurous journey into the modern jazz exploits of three of the most promising modern music-men of today.
One of the most highly regarded trombonist of his generation, Ron Westray continues to expand upon the legacy set before him with his CD release, "Medical Cures For The Chromatic Commands Of The Inner City".
Ron's work as an instructor, mentor, recording artist and leader, has earned him world-wide recognition. Ron is perhaps best known for his work as lead trombonist in the Lincoln Center Jazz Orchestra conducted by Wynton Marsalis, as well as his collaborative effort with Wycliffe Gordon, Marcus Roberts and the Charles Mingus Big Band. Now Ron Westray brings his compositional vision and improvisational skills to his latest CD effort, "Medical Cures For The Chromatic Commands Of The Inner City". Featuring Ryan Kisor on trumpet, Walter Blanding Jr. on tenor saxophone, Eric Revis on Double Bass, Montez Coleman on drums and Tony Suggs on keyboards.
While "Medical Cures..." is a groove based recording, its steeped in a rich traditional jazz history, yet with a modern contemporary appeal. "The idea behind the recording" states Ron, "was to compose a jazz/hip hop score and live iteration of the evolution of hip hop and jazz. I became a jazz musician, but I searched on the concept of why jazz couldn't be as popular as funk. Medical Cures is that answer" sites Ron. Song's like "Fuzzy Dice", "The Jiggy" and "Bumpsie's Got it" will have the listener dancing to the vibe while enjoying lush, rich harmonies from this stellar ensemble of players. Mr. Westray's compositional achievements allow him a notable position among jazz composers, additionally his accomplishments on the trombone showcase him as a virtuoso instrumentalist.
Ron has recorded as a sideman on labels such as Columbia, Sony Classical, and RCA Novus and his accomplishments in the field have gained him exposure in publications such as Ebony, Essence, Downbeat, JazzTimes, Life Magazine and The New Yorker. Fan's of Ron Westray's earlier works and collaborations won't leave the listener disappointed. If "Medical Cures For The Chromatic Commands Of The Inner City" is any indication into Ron's vision, courage and longevity; Mr. Westray has a bright future indeed.
"RayJam" is the solo release by Tunisian born lute/guitarist and visionary, Nabil Khemir. It's a luminous recording that embodies the enchanting sounds and spirits of North African Egyptian music, while remaining firmly entrenched in contemporary jazz fusion.
Nabil Khemir's fascination with jazz music, coupled with his cultural heritage is a profound experience in and of itself. While growing up beside the coastline of the Mediterranean Sea and in the heart of a Tunis metropolis firmly enriched his worldly perspective, Nabil was inspired by Western and European artists such as George Benson; Django Reinhardt; John McLaughlin and Pat Methany. This intermarriage of fused cultural worlds is no more evident, than on his debut musical CD recording for Blue Canoe Records. Featured song's like "Parfum D' Orient Et D' Occident", "Nadam" and "Hanin" demonstrate Nabil's clever way of injecting his delightful character into the music, while communicating with his gifted musician's in an uplifting, unspoken and artistic way.
"RayJam" features five original compositions and arrangements inspired by the 2004 musical hybrid invention that Nabil himself created. This unique one of a kind, hollowbody double neck instrument, allows Nabil to explore his musical playfulness by having an electric lute and electric guitar within grasp at a moments notice. Nabil aptly named his new creation, "RayJam". "Ray, I choose because the instrument gives off colors like a ray from the sun. Jam, I choose because the lute and guitar are vibrating and jamming together, an energy I feel while playing it," says Khemir.
Not to go unnoticed for his artistic achievments, Nabil Khemir was recognized and decorated with honors by the President of the Republic of Tunisia (Zen El-Abidin Ben Ali) for his cultural contribution to the country and its cultural heritage in June of 2007. If this is an early indication of the bright talents of young Nabil Khemir, this deserved modern day jazz gypsy will continue to garner new fans in Tunisia and around the world, with his live performances and his infectious electromagnetic sounds of "RayJam".
"Decade", the newest release by Joseph Patrick Moore on Blue Canoe Records, contains material compiled from his recording efforts spanning the years 1996-2005. Unlike other compilation or "best of" recordings, Decade is not a testimonial of past achievements but a preface, or glimpse, into the artist's future.
JPM is a master bassist, equally proficient with upright and electric instruments; his technical virtuosity and artistic curiosity has taken him in pursuit of many musical styles. It is apparent that Moore's works are inspired by mainstream jazz and contemporary jazz as well as r&b, gospel and pop. The result of this exploratory approach to composition is fresh, imaginative, and adds an air of excitement and serves as a foil to the all too often boring and overworked state of academic classroom jazz.
A great sense of adventure thrives in this compelling 80 minute, 19 song CD. Moore pays tribute to mentors Herbie Hancock and Miles Davis with original compositions "Herbie" and "Pause 1". His solo bass version of The Police tune "Masoko Tanga" and the full-band vocal rendition of Men at Work's "Down Under" (in the spirit of Hancock's "Possibilities" and Davis "Tutu") are evidence that pop music is an excellent source of inspiration of jazz arrangements. JPM's abilities come full circle on the title track: he composed and played all the instruments on this soon to be smooth jazz anthem.
If you are searching for music with rich textures and groove oriented arrangements, look no further than Joseph Patrick Moore's Decade on Blue Canoe Records. Aptly titled, it is a remarkable odyssey through the world of contemporary jazz.
Bob Marbach's debut EP CD, "Out At Night" is a collection of masterful, playful and original contemporary compositions. This jazz trio swings, twists and slides through a journey of skillful improvisations.
Bob Marbach has performed and/or recorded with many diverse artists such as:
* Bill Frisell
* Phineas Newborn Jr.
* Pete Yellin
* Kenny Garrett
* Jimmy Witherspoon
* Blue Mitchell
* Mike Pope
* William Parker
* Bill Mobley
* Alex Chilton
* The Moody Blues
* Smokey Robinson
Review by: Mark Sabbatini
When an album opens with a quirky reinterpretation of the 1980s hit “Down Under” it’s safe to assume the artist is looking to have a good time. Joseph Patrick Moore succeeds to a degree in bringing listeners along on Drum And Bass Society, Vol. 1, even if the cast of players doesn’t quite let its collective hair down enough to make this a consistent fun fest throughout. It’s an all-over-the-map jam band romp where nobody’s the life of the party, but almost everyone has something interesting to say if you focus on them amidst the din.
The fifteen tracks include seven originals by the bass player, plus reinterpretations of hits by groups such as Phish, The Specials, and The Fixx. It’s a radical departure from Moore’s 2002 multi-tracked solo album Alone Together, with the new release featuring more than twenty musicians and only a couple of songs where Moore solos—his arranging of this huge cast is the main contribution.
The most unfortunate moment is Moore’s slow reggae treatment of “Down Under,” which might have been a readily identifiable crowd-pleaser, but instead comes across as unimaginative and badly at odds with the album’s overall beat. The vocals are played straight and the instrumentalists avoid anything notable for a radio-safe four minutes. The concept works much better on “One Thing Leads To Another” as one of the wind players takes over immediately on flute and doesn’t let go throughout a peppery string of phrases. It’s hardly the inspired madness of the Bad Plus, but is a plus rather than a minus to the album.
Speaking of inspired madness, some of the better moments of it occur on the hybrid world/funk/whatever collage of “Cheesefrog Funk.” “Groove Messenger” delivers a decent bit of fusion in the style of Miles Davis, who Moore cites as one of his big influences. And the scope of variety can be seen on the rather flute-heavy New Agey “Rain Dance” and the almost mainstream jazz of “Herbie,” a tribute to pianist Herbie Hancock.
The CD, released on Moore’s Blue Canoe Records, has a $9 list price, and two songs, “Jamband Express” and “Groove Messenger (The Story of Jazztronica),” are available as free MP3 downloads from Moore’s web site and online vendors such as Amazon.com .
Moore has proven a solid player in a variety of settings since appearing on the recording scene in the mid 1990s, and this album ranks well among his releases. Fans wanting to hear him in this setting will likely be satisfied and new listeners of such music will find it worthwhile to at least investigate the free previews. Those wanting to hear his playing will find Alone Together a better and also intriguing bet, since the overdubbing includes unexpected sounds such as percussion generated by tapping on his bass.