“Reflections from Dave Pope”
This project, which is my first commercial recording, has come to fruition much too late in life in life but better late than never. Juggling family life, a career in banking, and a music career on multiple instruments has been quite an endeavor but one I would not trade for anything. I made a conscious decision in my early twenties to choose a dual career path, knowing the challenge would be to do justice to both. Since then, I have committed to being the best musician I can be under the circumstances and have worked very, very hard at being able to “hang” with musicians at the level on this record.
There are several special aspects of this record worth mentioning. It is the debut recording of my brother Mike on piano, which is actually his “second”instrument. Primarily known as a virtuoso bass player, this record gives Mike the opportunity to make a musical contribution as a pianist and as you will hear, the contribution is remarkable. Also, it joins Mike with his mento on bass, John Patitucci of whom I have always been a big fan and am honored to have on the record.
This recording was tracked in two half-day sessions at Mike’s studio with virtually no pre-session planning. It was also mixed and mastered by Mike with the kind assistance of our brother Peter during tracking. The project was intentionally loose, spontaneous, and not overly produced. My objective was to have fun and document what was happening musically in our lives in the moment. More importantly, I hope you will have fun listening. - DAVE POPE
It is with a heavy heart that we share the news on the passing of Blue Canoe Recording Artist Yonrico Scott. Mr. Scott was a drummer, percussionist, vocalist, visual artist, educator, and a true friend and champion of our label. Yonrico released four albums for Blue Canoe and worked with many in the industry such as Derek Trucks, Earl Klugh, Whitney Houston, Peabo Bryson, Col. Bruce Hampton, Royal Southern Brotherhood and so many more. The people he touched with his gifts is unmeasurable. His spirit will live on and we ask that you pray for his family during this difficult time.
"A man in harmony with life and spirit, always in search for the new positive energy ..." - Yonrico Scott
A statement from Grammy.com
Low end powerhouse and former Yellowjacket backbone, Jimmy Haslip collaborates with pianist, composer, arranger and educator Otmaro Ruíz and virtuosic rhythm guru Jimmy Branly for a project that is a perfect mix of composition and broad audience appeal. Mastered by Grammy nominee Rich Breen (Herbie Hancock, Norah Jones, Peter Erskine, Charlie Haden and more), "elemental" is a current jazz classic bringing elements of old and new to keep fans on their toes.
Grammy nominee Otmaro Ruíz (2016), composer of most of the "elemental" tracks, holds an honorary doctorate from Shepherd University and has played with all the modern greats...Gino Vannelli, John McLaughlin, Tito Puente, Steve Winwood, John Patitucci, Vinnie Colaiuta just to name a few. Mr. Ruíz is regarded as one of the most sought-after keyboardists on the scene yet still finds time for teaching. He is a frequent guest clinician at Los Angeles Music Academy and Musician's Institute.
Jimmy Branly is from Cuba and began his studies at the Conservatory of Music in Havana Adolfo Guzman and ENA (National School of Art). Mr. Branly also has played with greats from all genres including Colin Hay, Abraham Laboriel, Michael Nezmith, John Patitucci, Doc Severinsen, Ricky Martin, Andy Garcia, Natalie Cole, Gloria Estefan, Emilio Estefan. He performed at The White House in 2013 a Latin presentation for President Obama.
Jimmy Haslip was a founding member and 32 year band mate of The Yellowjackets. Mr. Haslip has been nominated for 22 Grammy awards and has won 3. Over his 50+ years of playing, he has contributed to the biggest names in music over a plethora of genres (Jeff Lorber, David Sanborn, Jerry Garcia, Bruce Hornsby, Chaka Khan, Allan Holdsworth, Oz Noy to name a few)
"Elemental" opens with "A Good Start" and right out of the gate leaves listeners slack-jawed. The high energy mover leads with dramatic injections from both Mr. Branly and Mr. Ruíz. These lyrical jabs give way to a simple, soaring melody on keyboards that establishes the emotional trajectory for the rest of the song. The trio brings the audience up then down then back up again all the while compelling exquisite anticipation. The troupe rewards in the end with a crescendo of harmonic punches as "A Good Start" gives way to "Greed".
"Greed" leads with a coy, sly keyboard melody that is enticing. Mr. Branly and Mr. Haslip jump in quickly in a way that are both supportive and improvisational. The listener is left with a slightly uneasy feeling as the rhythm's presence rolls up and down and moves from support to spontaneous until Mr. Haslip steps out with a subdued but perfect solo. Mr. Branly rounds things out and brings it in as Mr. Ruíz's keyboards sail home.
"Elemental" is a fusion of the most talented jazz artists of our time. More than that, though, the resulting sound is clearly greater than the sum of it's parts. When asked to comment on the compilation, Otmaro Ruíz thought carefully and stated simply, "Music for All". Indeed...music for all.