Atlanta, GA (April 29th, 2016) - Blue Canoe Records has released “Marbles From A Drawer”, from versatile keyboard player David Ellington. “Marbles From A Drawer”, produced by Coy Bowles of Zac Brown Band, features many acclaimed guests and focuses on smoky, keyboard-based blues that is contemporary while still maintaining an old school presence.
David Ellington grew up in Connecticut learning in as many musical situations as possible. From garage bands to church and school bands, he viewed all of these musical experiences as ways to learn. After high school, Mr. Ellington continued his education in Boston at Berklee College of Music. He moved to New Orleans, Louisiana in 1983 where he played and recorded with many local legends including Walter “Wolfman” Washington and Troi Bechet among others. Mr. Ellington also created afro- cuban jazz group Chevere during his time in New Orleans. Cheer recording “Baila Mi Ritmo” was chosen by Times Picayune music critic Keith Spera as one of the Top 20 recordings of 2001. During this time, he continued learning as he studied under Ellis Marsalis.
“Marbles From A Drawer” begins in sultry fashion with “Goin’ To Church”. Mr. Ellington captures the listener’s ear with an expanding groove that gets deeper and funkier as the track breathes. It fills senses while remaining simple at heart. As the keyboard foundation gives way to a sizzling guitar solo, the interplay between players gets bigger while maintaining its simplicity and catchy feel. At the end, the audience is left wanting more while their feet are still tapping.
On “98 Bottles”, Mr. Ellington features Clay Cook on vocals. Mr. Cook is famous for co- writing hits with John Mayer including “No Such Thing” which won the 2003 ASCAP award for Most Performed Song. “98 Bottles” is a melancholy song about waiting remorsefully for a lost love. The haunting keyboard textures add to the wistful regret as the vocals build and fade. Ellington and Cook combine to move the listener as the track ends in a dream-like fade.
“Fool” is another notable track that features Oliver Wood (The Wood Brothers) on vocals. Mr. Ellington leads on a journey of honesty and regret that can be tasted in Wood’s voice. In admitting shortcomings and questioning self-worth, David Ellington exposes our human existence with these universal themes while Olive Wood brings those emotions to heart.
“Marbles From A Drawer” is a masterful compilation that brings together brilliant songwriting with traditional blues, modern Americana and classic could all while exploring common themes of our human experience. David Ellington does all of this and packages it in a very accessible way that demands use of the replay button. “Marbles From A Drawer” is a stirring and impassioned release that will have the listener looking to hear more from David Ellington.
Blue Canoe Records has released “Look Beyond The Rain” from veteran piano man Bob Thompson and The Bob Thompson Band. Mr. Thompson brings the optimism in a funky way with the help of legendary producer and long-time friend, Buzz Amato (Curtis Mayfield, Ben E. King, Kriss Kross). Referring to the theme of the album, Thompson asserts, “It is going to rain sometime on your life but you have to look beyond that. This music spreads love and makes people feel good.”
Bob Thompson is a performer, band leader, and educator and is a staple in the music of West Virginia. A native of New York, Mr. Thompson came to West Virginia to study trumpet at West Virginia State University. In 1991, Bob joined the West Virginia Public Broadcasting's ground breaking "Mountain Stage", as house pianist and featured artist. He is also co-producer of Joy To The World, a Holiday Jazz Show broadcast on public radio nationwide (since 1992), heard internationally on Voice Of America and was just inducted into the West Virginia Music Hall of Fame in 2015. He has played all over the world with diverse artists including Bunky Green, Larry Coryell and recorded with Omar Hakim, Gerald Veasley and Kevin Eubanks.
“Look Beyond The Rain” opens with “Time 2 B One” and reveals Bob Thompson dancing along an exhilarating melody. After a few bars John Inghram (bass) and Tim Courts (drums) lay down a solid funk groove cued by the piano’s opening. The opening track unfolds into a floating solo by Doug Payne (sax), a driving solo from Ryan Kennedy (guitar) and again from Mr. Thompson with a supporting solo that brings them all together. The exchange between them resolves by the end in a dreamy fade that leaves the listener wanting more.
Possibly the most notable on the compilation is “The Swamp Stomp”. This time the listener is guided through the groove by a joyous and melodic theme on the saxophone. Again the rhythm section throws down a solid, funky groove and the listener is treated to delightful lick-swapping by some of the most talented musicians that the Eastern United States has to offer. The juxtaposition of the funk groove, wafting sax, beautifully linear fender rhodes and driving rock guitar really exposes the influences of this diverse group of individuals and melds into a solid singular voice.
“Look Beyond The Rain” is a joyful experience, no doubt about it. These incredibly talented musicians have a way of delivering accessible melody, touching the heart of the listener and not overcomplicating things. Like any great artists, they make it look easy. “Look Beyond The Rain” is a must-listen for fans of jazz, rock, blues and funk. These songs will stir emotion and leave the listener...optimistic.
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"Defining Moment" is a reflective, soulful EP that features the smooth melodies of John Carrozza. Mr. Carrazzo's pop sensibilities shine brilliantly throughout this collection on the keyboards, guitar and from the producer's chair.
The opening track, "Defining Moment" is a smart pop-jazz melody that is the perfect lead-in to this thought provoking record. The bouncy bassline is the perfect counter-point to Mr. Carrozza's piano lead.
The next track, "Prodigal's Return", tells a beautiful story. The changing tempos and the sensitive soothing piano leads the listener through a soul searching journey. John Carrozza is an instrumental story teller.
"Something I Said" is a sweet rendition of a Peter Erskine tune. The introspective feel of this version is a perfect continuation of the mood of the rest of the album.
"Defining Moment" is a smooth jazz gem that emanates emotion and tells beautifully melodic stories. John Carrozza lays down the same piano genius that he did for two singles on Earl Klugh's Grammy nominated album "The Spice of Life". The exquisite musicianship and stellar production is destined to be a hit for smooth jazz radio.
"Look What the Cats Drug In" opens with ripping guitar work from Dan Baraszu on "Neutron Star", a song inspired by Stevie Wonder's "Too High". There is no slowing down with the complex harmonies by Eugene Maslov on "Last Ray". Blue Canoe's stable of talented artists is further exposed in "Symmetry 1" with the fluid, highly polished lines of virtuoso trumpeter Thomas Heflin. The album continues with unimaginable horn players Bryan Lopes and Ron Westray as well as the stellar compositional and orchestral arranging of the Knoxville Jazz Orchestra. The compilation brings it home rhythmically with percussionists Philip Smith and Jimmy "Junebug" Jackson. Listen for the famous Jimmy Smith on the B3 on the final tune by Junebug, "Save Your Love For Me (live)".
"Look What the Cats Drug In" is a vibrant exploration of the post-bop gems in Blue Canoe Records' vast and ever-growing catalog. Quite literally, "Look What the Cats Drug In" displays the finest musicianship of modern jazz.
The Knoxville Jazz Orchestra’s debut cd for Blue Canoe Records, “Blues Man from Memphis”, is a most adventurous big band effort featuring the work of Donald Brown. The recording also highlights the prodigious talents of three other world renowned artists: bassist John Clayton, vibraphonist Stefon Harris, and saxophonist Greg Tardy.
Pianist Donald Brown (who also produced the cd) is considered to be one of the most innovative composers in the field of jazz today. Among the many accolades Brown has received, trumpeter Wynton Marsalis says: “Donald Brown is a genius.” Bassist Ron Carter adds: “For those who look around and ask, ‘Where is the next great jazz composer? Who is going to lead the music into the twenty-first century?’ Look no further. Donald Brown is here.” Brown’s compositions have been recorded by many artists. Wynton Marsalis’ recording of “Insane Asylum” on “J-Mood” was nominated for a Grammy, as was Donald Byrd’s recording of “Theme for Malcolm”.
As a testimonial to Donald Brown’s expertise as a piano player, the late Art Blakey professed: “Donald Brown is one of my favorite accompanists with The Jazz Messengers since Cedar Walton and Walter Bishop, Jr.”
The KJO is a supercharged, motivated ensemble formed in 1999 by trumpet player/arranger Vance Thompson. Although a large group (17+ members), they perform regularly and have played prestigious venues such as The Montreaux Jazz Festival. The Knoxville Jazz Orchestra has a wide fan base, largely due to the enthusiasm incurred by compelling and exciting arrangements and famous guest artists.
All of the compositions on this cd are by Donald Brown. The arrangements and orchestrations are by Vance Thompson and Bill Mobley, respectively.
“Blues Man from Memphis” is an ingenious, inspired work for the contemporary jazz big band. Twenty-first century jazz is alive and thriving.
Jazz Pianist Eugene Maslov's CD, "Where the Light Comes From" (Blue Canoe Records) is an imaginative endeavor which not only shows off Maslov's extraordinary talent as pianist but demonstrates his remarkable abilities as composer, arranger and producer as well.
Eugene Maslov has been an active touring and recording musician over the past decade: he has recorded and performed with Shirley Horn; Toots Thielmans; Gary Burton; Eddie Gomez; Omar Hakim; Pearl Bailey as well as many others. Maslov now brings his prolific experience and encyclopedic knowledge of jazz form and improvisation to a format with a balanced concept, astutely and poetically rendered within the tight chemistry of his backup musicians which include guest appearances by Hubert Laws (flute) and Vinnie Colaiuta (drums).
The strength and entertainment value of this effort lie in Maslov's unique musical ideas, deeply rooted in contemporary post-bop jazz: "The irony of 'Where the Light Comes from'," says Maslov, "is that in my arrangements and compositions I am actually trying to touch upon the different shadows of the listener's feelings."
"Where the Light Comes From", by Eugene Maslov displays a sense of timelessness with an eye bent towards the future. Eugene's original composition's as well as his arrangement of the Miles Davis classic "Nardis", demonstrate the true beauty and originality of this extraordinary jazz artist.
Bob Marbach's debut EP CD, "Out At Night" is a collection of masterful, playful and original contemporary compositions. This jazz trio swings, twists and slides through a journey of skillful improvisations.
Bob Marbach has performed and/or recorded with many diverse artists such as:
* Bill Frisell
* Phineas Newborn Jr.
* Pete Yellin
* Kenny Garrett
* Jimmy Witherspoon
* Blue Mitchell
* Mike Pope
* William Parker
* Bill Mobley
* Alex Chilton
* The Moody Blues
* Smokey Robinson