Low end powerhouse and former Yellowjacket backbone, Jimmy Haslip collaborates with Scott Kinsey (Tribal Tech) and Hungarian superstar and session guru Gergö Borlai to create the best jazz release of this decade. ARC Trio features guest appearances by Vinnie Colaiuta, Gary Novak, Steve Tavaglione and Judd Miller and delivers unbelievably listenable virtuosity.

​Jimmy Haslip was a founding member and 32 year band mate of The Yellowjackets. Mr. Haslip has been nominated for 22 Grammy awards and has won 3. Over his 50+ years of playing, he has contributed to the biggest names in music over a plethora of genres. To list a few:
 • Jazz: Al Jarreau, John Scofield, Pat Metheny, Bill Evans, Randy Brecker, Toots Thielemans
 • Smooth Jazz: David Sanborn, Kenny G, Michael Bolton, The Rippingtons
 • Fusion: The Yellowjackets, Peter Erskine, Bela Fleck, Jeff Lorber, Allan Holdsworth and Alan Pasqua
 • Rock: Joe Cocker, Rod Stewart, George Harrison, Crosby, Stills & Nash, Jerry Garcia, Joe Walsh, Tommy Bolin and Gary Wright
 • Pop: Randy Newman, Bruce Hornsby, Kenny Loggins, Dusty Springfield, Gino Vannelli and Herb Alpert
 • Soul: Chaka Khan, Diana Ross, Anita Baker and Roy Ayers Ubiquity
 • Blues: Robben Ford, Oz Noy, Robert Cray and Harvey Mandel​

A two-decade veteran of Tribal Tech, one of the most influential electric jazz groups, keyboard wizard Scott Kinsey has worked with many of the world’s greatest musicians including Scott Henderson, John McLaughlin, Oz Noy, Kurt Rosenwinkel, Gary Willis, Mike Stern, Matthew Garrison, Michael Landau, Nicholas Payton, Hadrien Feraud, Louis Cole, Tim Lefevbre, Dave Weckl, Dennis Chambers and many others. He is considered a protégé of jazz icon Joe Zawinul, with whom he collaborated for several years.

Hungarian drummer Gergö Borlai began playing at age 3 and has appeared on more than 300 albums. Since 2012, Mr. Borlai is a professor at the Liceu Academy/Jazz Departement in Barcelona and has received two lifetime achievement awards, the Golden Drumstick Prize and the Artisjus Lifetime Achievement Award in Hungary. He has played with greats such as Al DiMeola and Hiram Bullock.

​ARC Trio opens with "Owosso" as Mr. Borlai places the listener under his spell with a rhythmic trance-like groove. Slowly, Mr. Haslip enters with his hypnotic response in lock-step with Scott Kinsey's subtle assurance on keys. When asked about Arc Trio, Mr. Haslip says, "I wrote music that deals with deeper emotional experiences...searching for knowledge and opening my awareness of a world in need". Certainly, a song like "Owosso" fits this bill and is timely in these contentious times.

​The dynamic flow of ARC Trio leads followers skillfully to track four, "Viera", a song about Mr. Haslip's mother. At this point, the core trio makes introduction to guests that need no introduction. The soulful strength of Vinnie Colaiuta (Frank Zappa, Sting, Herbie Hancock, Jeff Beck, many others) on drums and Latin fusion hero Steve Tavaglione (Jorge Strunz, Eduardo Del Barrio, Dave Weckl, Sly & The Family Stone, Steve Winwood) on flute. This powerful tribute starts with distinct Latin rhythm and brings in Mr. Tavaglione' soaring injections. It is chaotic at first before locking in tightly and fusing genres and styles. The interplay of flute and keyboard melody is masterful on the a palette of constantly evolving drum and bass improvisation.

ARC Trio is the biggest sound you will hear this year. The fusion of gratifying sounds, feels and styles leaves one satisfied yet craving more. When asked about live performances relating to this masterpiece, Jimmy Haslip exclaimed without hesitation, "ROCK THE HOUSE". Hold on...it's going to be wild ride!

Artist Page: Jimmy Haslip | Scott Kinsey | Gergo Borlai

Album Page: ARC Trio

Blue Canoe Records releases “Cody Carpenter’s Interdependence”, the debut effort from Cody Carpenter on January 26th, 2018. Mr. Carpenter combines the best of 80’s synth-pop with the jazz / rock fusion of that time to create a complex, breakneck brew that both inspires and energizes.

Cody Carpenter is the son of Adrienne Barbeau, a star of film, television and the Broadway stage, and legendary Academy Award winning writer, actor, composer, producer and director John Carpenter. The Senior Carpenter is best known for classic horror films (Halloween, The Fog, The Thing) and sci-fi thrillers (Escape From new York, Starman). As a composer, he is known for synthesizer-based pieces and is perhaps best known for the theme song to the movie Halloween (1978). It is not difficult to see how Cody Carpenter comes by his synthesizer based compositions. Cody was introduced to his first musical instrument around the age of three and has been playing and composing original music ever since. In addition to contributing music for two of his father’s films, Vampires (1998) and Ghosts of Mars (2001), Carpenter composed and performed the full-length score for “Cigarette Burns” and “Pro-Life” in Showtime’s Masters of Horror (2005) movie series. Cody co-wrote, co-produced, and performed on the acclaimed Lost Themes (2015) and Lost Themes II (2016) with his father and Daniel Davies. In 2016 and 2017 Cody toured North America and Europe with his father and a six piece band, performing material from both Lost Themes albums and his father’s films.

Cody Carpenter opens his debut with the expansive track “Jinrai Fuuretsu”. The Emerson Lake and Palmer drenched opener rushes out of the gate like a tornado. Mr Carpenter’s driving synth melody bashes up against the phenomenal rhythm section of Scott Seiver (drums) and Jimmy Haslip (bass). Mr. Seiver has worked with current pop stars including Aimee Mann, Jack Johnson and Jason Mraz. He also drummed on Grammy award winning recordings for Tenacious D and Flight of the Conchords. Mr. Haslip was a founding member of jazz fusion superstars The Yellowjackets and has worked with Bruce Hornsby, Chaka Khan, Al Jarreau and Donald Fagen among others. The track opens powerfully and then soars wistfully before Mr. Carpenter drives the listener back home to its powerful opening theme…only to spin back to a thoughtful passage. The track resolves only to leave the listener yearning for further insight.

Another track of note is “Thinking Of What Might Be”. Mr. Carpenter’s gracious synth melody drifts out in front of the tight, pulsating rhythmic punches. While much of Cody’s music is fairly complex, this straight-forward tune harkens a daydream on a sunny afternoon. Mr. Carpenter even steps out with a contemplative guitar solo midway through that sits perfectly afloat on the steady rhythmic offering.

“Cody Carpenter’s Interdependence” is a brilliant entry for Cody Carpenter that has been a long time coming. Drawing on the many years of playing with John Carpenter and his accomplices, Cody finds his own unique voice all while the accepting the independence he has come by honestly. “Cody Carpenter’s Interdependence” deserves a serious listen.

Atlanta, GA (June 6th, 2016) - On June 24th, 2016 Blue Canoe Records will release “Decade II 2006-2015” from baseman and producer, Joseph Patrick Moore. Mr. Moore looks back over the past decade and remixes the hits for a fresh new perspective. His work fuses elements of contemporary jazz, for which Mr. Moore is famous, with funk, rock, pop, urban, spiritual and even electronica for a compilation that keeps listeners on their toes. 

Joseph Patrick Moore is a prolific jazz, pop and rock musician as well as producer, session musician, film composer and author. He has worked with artists such as Stewart Copeland (The Police), Earl Klugh, Bob James, Chris Duarte, Celtic Women Lisa Kelly and Chloe Agnew to name a few. “Decade II” is fresh on the heels of “XYZ Factor” and “To Africa With Love” where Mr. Moore coupled its release with a mission trip to Africa. There he was involved personally on the front line of support for the amazing and lost continent. JPM gives a taste of all…work from soundtracks (Path To Geshe), solo work (XYZ Factor and To Africa With Love), group projects (The RockTronix) and projects with friends (Christmas Time Is Here with Dan Baraszu and work with Soulful genius Chinua Hawk).

“Decade II” opens with the expansive “Ubuntu” originally on “To Africa With Love” (2010). Mr Moore leads with a looped bass formation and drives a powerful line over the top. Joined by supportive guitar and keyboards, the melody tells a beautiful story of hope Moore saw during his time spend in Africa. The anthem finally gives way to a subtle electronic feel in the melody as it fades to the next track.

“Quest” is a song that JPM wrote for Yonrico Scott’s solo album, “Quest Of The Big Drum”, featuring Scott (Grammy winning drummer with The Derek Trucks Band and Royal Southern Brotherhood) and Nick Rosen. The listener enters the song on a light bed of keyboards with chaotic bass playing over the top. The chaos gradually finds peace with a deep, impassioned funk rock groove with a tantalizing melody from Rosen’s keyboard. Quest indeed!

“Magnificent Obsession” is a rock number from Mr. Moore’s band The RockTronix that is saturated with mischievous interplay between Chris Blackwell’s guitar and Mr. Moore’s sparse fretless bass line. The testimony builds throughout, graduating from funky, colorful guitar textures to full on rock guitar and back again. “Magnificent Obsession” shows again not only the versatility of Mr. Moore but also the capability of his accomplices.

“Decade II 2006-2015” is a comprehensive look at the last ten years from a true music talent of our day. Joseph Patrick Moore manages to fuse current and classic and he makes it look easy. Truly, the listener is left impatient…what will the next “Decade” bring?

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