Blue Canoe Records releases “Cody Carpenter’s Interdependence”, the debut effort from Cody Carpenter on January 26th, 2018. Mr. Carpenter combines the best of 80’s synth-pop with the jazz / rock fusion of that time to create a complex, breakneck brew that both inspires and energizes.
Cody Carpenter is the son of Adrienne Barbeau, a star of film, television and the Broadway stage, and legendary Academy Award winning writer, actor, composer, producer and director John Carpenter. The Senior Carpenter is best known for classic horror films (Halloween, The Fog, The Thing) and sci-fi thrillers (Escape From new York, Starman). As a composer, he is known for synthesizer-based pieces and is perhaps best known for the theme song to the movie Halloween (1978). It is not difficult to see how Cody Carpenter comes by his synthesizer based compositions. Cody was introduced to his first musical instrument around the age of three and has been playing and composing original music ever since. In addition to contributing music for two of his father’s films, Vampires (1998) and Ghosts of Mars (2001), Carpenter composed and performed the full-length score for “Cigarette Burns” and “Pro-Life” in Showtime’s Masters of Horror (2005) movie series. Cody co-wrote, co-produced, and performed on the acclaimed Lost Themes (2015) and Lost Themes II (2016) with his father and Daniel Davies. In 2016 and 2017 Cody toured North America and Europe with his father and a six piece band, performing material from both Lost Themes albums and his father’s films.
Cody Carpenter opens his debut with the expansive track “Jinrai Fuuretsu”. The Emerson Lake and Palmer drenched opener rushes out of the gate like a tornado. Mr Carpenter’s driving synth melody bashes up against the phenomenal rhythm section of Scott Seiver (drums) and Jimmy Haslip (bass). Mr. Seiver has worked with current pop stars including Aimee Mann, Jack Johnson and Jason Mraz. He also drummed on Grammy award winning recordings for Tenacious D and Flight of the Conchords. Mr. Haslip was a founding member of jazz fusion superstars The Yellowjackets and has worked with Bruce Hornsby, Chaka Khan, Al Jarreau and Donald Fagen among others. The track opens powerfully and then soars wistfully before Mr. Carpenter drives the listener back home to its powerful opening theme…only to spin back to a thoughtful passage. The track resolves only to leave the listener yearning for further insight.
Another track of note is “Thinking Of What Might Be”. Mr. Carpenter’s gracious synth melody drifts out in front of the tight, pulsating rhythmic punches. While much of Cody’s music is fairly complex, this straight-forward tune harkens a daydream on a sunny afternoon. Mr. Carpenter even steps out with a contemplative guitar solo midway through that sits perfectly afloat on the steady rhythmic offering.
“Cody Carpenter’s Interdependence” is a brilliant entry for Cody Carpenter that has been a long time coming. Drawing on the many years of playing with John Carpenter and his accomplices, Cody finds his own unique voice all while the accepting the independence he has come by honestly. “Cody Carpenter’s Interdependence” deserves a serious listen.
Cody Carpenter's Official Website: CodyCarpenterOfficial.com
Atlanta, GA (June 6th, 2016) - On June 24th, 2016 Blue Canoe Records will release “Decade II 2006-2015” from baseman and producer, Joseph Patrick Moore. Mr. Moore looks back over the past decade and remixes the hits for a fresh new perspective. His work fuses elements of contemporary jazz, for which Mr. Moore is famous, with funk, rock, pop, urban, spiritual and even electronica for a compilation that keeps listeners on their toes.
Joseph Patrick Moore is a prolific jazz, pop and rock musician as well as producer, session musician, film composer and author. He has worked with artists such as Stewart Copeland (The Police), Earl Klugh, Bob James, Chris Duarte, Celtic Women Lisa Kelly and Chloe Agnew to name a few. “Decade II” is fresh on the heels of “XYZ Factor” and “To Africa With Love” where Mr. Moore coupled its release with a mission trip to Africa. There he was involved personally on the front line of support for the amazing and lost continent. JPM gives a taste of all…work from soundtracks (Path To Geshe), solo work (XYZ Factor and To Africa With Love), group projects (The RockTronix) and projects with friends (Christmas Time Is Here with Dan Baraszu and work with Soulful genius Chinua Hawk).
“Decade II” opens with the expansive “Ubuntu” originally on “To Africa With Love” (2010). Mr Moore leads with a looped bass formation and drives a powerful line over the top. Joined by supportive guitar and keyboards, the melody tells a beautiful story of hope Moore saw during his time spend in Africa. The anthem finally gives way to a subtle electronic feel in the melody as it fades to the next track.
“Quest” is a song that JPM wrote for Yonrico Scott’s solo album, “Quest Of The Big Drum”, featuring Scott (Grammy winning drummer with The Derek Trucks Band and Royal Southern Brotherhood) and Nick Rosen. The listener enters the song on a light bed of keyboards with chaotic bass playing over the top. The chaos gradually finds peace with a deep, impassioned funk rock groove with a tantalizing melody from Rosen’s keyboard. Quest indeed!
“Magnificent Obsession” is a rock number from Mr. Moore’s band The RockTronix that is saturated with mischievous interplay between Chris Blackwell’s guitar and Mr. Moore’s sparse fretless bass line. The testimony builds throughout, graduating from funky, colorful guitar textures to full on rock guitar and back again. “Magnificent Obsession” shows again not only the versatility of Mr. Moore but also the capability of his accomplices.
“Decade II 2006-2015” is a comprehensive look at the last ten years from a true music talent of our day. Joseph Patrick Moore manages to fuse current and classic and he makes it look easy. Truly, the listener is left impatient…what will the next “Decade” bring?
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The RockTronix and their Magnificent Obsession
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Today Blue Canoe Records releases “Jimi Jazz” from jazz wonder Ron Westray. Westray’s fresh solo take on Jimi Hendrix classics blend bop with contemporary horn and makes it accessible to all listeners.
Professor Ron Westary’s professional contributions encompass a stunning list of achievements in the areas of performance, composition, recording and publishing. Since the early nineties he has performed in hundreds of performances around the globe as trombonist or lead trombonist with the most prestigious jazz ensembles in the world, including The Wynton Marsalis Septet, New York’s Jazz at Lincoln Center Orchestra, The Mingus Big Band, Irving Mayfield, The New Orleans Jazz Orchestra and the Marcus Roberts Ensemble. Mr. Westray has received critical acclaim in numerous publications including Ebony, Essence, Downbeat, JazzTimes, Life Magazine and The New Yorker. Josep Pedro, in an All About Jazz article, said of Ron, “…takes another step ahead while showing strong vocality and rich tone”.
“Jimi Jazz”, opens with the hypnotizing groove of “Purple Haze”. The first track opens with the familiar theme and gives to raucous horn and key solos that make a listener’s feet move and ears hear this classic from a new perspective. The the time “Purple Haze” hands off to “Hey Joe”, the listener is fully committed; bound by newborn harmonization of the standard that has permanent residency in many listener’s DNA. Mr. Westray finishes this stellar compilation with a fluid version of the lesser-known classic “Third Stone From The Sun”. While Hendrix used the original to showcase his rock, jazz and blues influences, the final track to “Jimi Jazz” unwinds the collection and equips the audience for another trip around the sun.
“Jimi Jazz” is a cerebral venture that explores a classic catalog in an entirely original and contemporary way. Ron Westray is a wizard on the trombone and solos this instrument in ways that any fan will be challenged to recall. Ron Westray’s “Jimi Jazz” is requisite listening for fans of Jimi Hendrix as well as those passionate about music that pushes boundaries and genres. Musical exploration was a common theme for Mr. Hendrix just as it is for Ron Westray.
Featuring: Ron Westray (trombone), Matt Rait (guitar), Ross MacIntyre (bass), Anthony Mitchelli (drums), Richard Whiteman & Dave Restivo (fender rhodes).