Spotify Playlists from Blue Canoe Records. Adding and updating frequently: https://open.spotify.com/user/bluecanoerecords
“No Small Thing” opens with the classic in the pop rock world, Aqualung’s Brighter Then Sunshine. “…suddenly you’re mine”, sings Jennifer Carrozza as the listener is drawn into the dynamic odyssey. With the use of lush instrumentation, Mr. Carrozza sets up the voyage perfectly. The Carrozza’s fall effortlessly into the McCartney standard Blackbird. The Carrozza connection of piano and vocals is haunting and memorable…adding a novel take on the classic. From there, J-Mood travels effortlessly from Sting to Neil Young to winning melodies of their own. Of note, John Carrozza’s own Hope Restored composition is an emotional contemporary jazz number with energizing give-and-take between Sam Skelton’s genius sax and John Carrozza’s expressive piano stylings.
No Small Thing is a smart, diverse must-have that falls right into the spiritual hip pocket of the audience’s subconscious. Classic and contemporary at the same time, The Carrozza team leave an important impression while using all the colors in the palette. It is, indeed, No Small Thing.
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It's "gonna be alright" is the underlying theme of Chinua Hawk's dynamite new release "A Beautifully Complicated Life", produced by Joseph Patrick Moore. In his fourth full length compilation, Mr. Hawk sings of heartbreak and finding his way back to life. A songwriting partnership with Wyclef Jean and studio support work with Kanye West has led Chinua Hawk to "A Beautifully Complicated Life". Listeners will be captivated by Mr. Hawk's unique blend of pop, gospel, R&B and classic soul.
Chinua Hawk is a modern, award winning vocalist and a prolific songwriter. His work has been featured in television shows such as CBS "Joan of Arcadia" and movies such as "First Sunday" and Dave Chapelle's "Block Party". In one of the most affirming illustrations of Mr. Hawk's talent, he has won Billboard Magazine/Disc Makers Independent Music World Series where he beat over 1,000 bands with just a guitar player to accompany him. Mr. Hawk was also named the APCA Multi-Cultural Artist of the year for 2005 and 2006, APCA Best Cultural Fine Arts Artist in 2008, APCA Performer of the Year in 2008 and APCA Best Male Performer in 2009.
"A Beautifully Complicated Life" starts with "Back To Life" and the Grammy Award winning drumming of Yonrico Scott's riveting backbeat. The soul-drenched pop effort features Hawk's anthematic vocals perfectly while tackling the global matters of pain, faith and impending comeback.
The third track, "Nickel To Spare", has a deep funk groove and challenges the listener to keep his feet still. The sensational artist and recording engineer John Carrozza lays down irrepressible keyboard support for Mr. Hawk's airy vocals and the result is a dreamy chill that bobs heads.
The fifth track and George Michael hit, "Careless Whisper" is an amazing arrangement/spin-off of this classic chart topper. It features the incredible backing vocal work from Chantae Cann (Indie Arie) and Grammy Award Winning Jarrett Johnson (Quincy Jones) intertwined with the sultry Mr. Hawk.
In the final song, Chinua Hawk pays tribute to one of his heroes, the great Al Green. Chris Blackwell's guitar work on "Let's Stay Together" is perfect for this reinvented classic and helps lay the groundwork for Mr. Hawk's extraordinary vocals and dynamic range.
"A Beautifully Complicated Life" is an impassioned experience that displays masterfully the talent of Chinua Hawk. Mr. Hawk manages to stay current in a talented field of Adult Contemporary Pop and R&B followers. "A Beautifully Complicated Life" is a must-have for anyone wanting a new collection of great music.
Jazz guitarist Dan Baraszu's smooth jazz group - Planet Zu features the smooth jazz sounds from this organic quartet.
Dan Baraszu (guitar)
Joseph Patrick Moore (bass)
David Ellington (organ)
Marlon Patton (drums).
Available today at iTunes
"Defining Moment" is a reflective, soulful EP that features the smooth melodies of John Carrozza. Mr. Carrazzo's pop sensibilities shine brilliantly throughout this collection on the keyboards, guitar and from the producer's chair.
The opening track, "Defining Moment" is a smart pop-jazz melody that is the perfect lead-in to this thought provoking record. The bouncy bassline is the perfect counter-point to Mr. Carrozza's piano lead.
The next track, "Prodigal's Return", tells a beautiful story. The changing tempos and the sensitive soothing piano leads the listener through a soul searching journey. John Carrozza is an instrumental story teller.
"Something I Said" is a sweet rendition of a Peter Erskine tune. The introspective feel of this version is a perfect continuation of the mood of the rest of the album.
"Defining Moment" is a smooth jazz gem that emanates emotion and tells beautifully melodic stories. John Carrozza lays down the same piano genius that he did for two singles on Earl Klugh's Grammy nominated album "The Spice of Life". The exquisite musicianship and stellar production is destined to be a hit for smooth jazz radio.
J-Mood Jazz Band takes these holiday classics for a fresh spin through the winter snow. These superstar musicians have a warm, inviting vibe that is irresistible. The interplay between the piano sax and vocals is remarkable. Note the opening track, "Jingle Bells". This standard melody jumps to life as the conversation between Mr. John Carrozza's piano and Mrs. Jen Carrozza's vocals commences. The listener is eventually carried away when guest saxophonist Sam Skelton chimes in with his smooth, rich solo response.
"Let It Snow" is the perfect follow-up to the up tempo rendition of "Jingle Bells". One can feel the warm fire crackle as the mellow piano rolls in response to the call of the traditional melody.
"Welcome to Our World" warms the listener to the true meaning of Christmas. "...perfect son of God, welcome to our world...", sings Mrs. Carrozza with her lullaby-sweet voice. This is a truly touching version of this modern gospel testimony.
J-Mood takes us for a few more spins around the snow-laden sleigh track with "Sleigh Ride" and "I've Got My Love to Keep Me Warm". You would never that J-Mood hails from the Southern USA with their enthrallment over cold winters. Fortunately for the listener, these magnificent musicians have given us a glimpse into their chilly world...and have managed to heat things up in the process.
"That's Wassup" is the debut release from Charles Langford. This imaginative creator displays his knowledge of musical history on his latest release, "That's Wassup". Mr. Langford seems to move effortlessly from straight ahead swing to funk to crooning, romantic ballads...there is literally something for every taste on this album. "Chucky's Funk" lays down some classic Stanley Clark jazz bass funk and the horn work is reminiscent of the great George Coleman. "Someone To Love" fills the senses with a romantic David Sanborn melody that you are left humming for hours.
Mr. Langford has studied under Archie Shepp, Yusef Latef, Donald Byrd and Barry Harris, among others. He has done sessions or toured with artists as diverse as The Toni Lynn Washington Blues Band to The Temptations and Mighty Sam McClain.
Charles Langford is an artist with a lot to say and he gets his point across with many different voices on his debut, "That's Wassup". With such dynamic musicianship, we will certainly be hearing his name for years to come.
Producer Buzz Amato (Curtis Mayfield, Ben E. King, Theodis Ealey) has released his debut CD dubbed, "A Collection".
The Commercial Appeal, September 28th, 1996
Review by Bill Ellis
The Commercial Appeal
If ever a case could be made for an ongoing jazz scene in Memphis, Moore's disc is it. The bass player's hand-picked ensemble is a roll call of the best of the best, including Jim Spake, Carl Wolfe, trumpeters Scott Thompson and Bill Mobley and clarinetist Lannie McMillian. Heard as well is Hammond B-3 organ phenom Charlie Wood and DDT Big Band singer Kelly Hurt, who adds a silky scat to one tune.
That Moore could gather such esteemed talent for his self-produced disc speaks volumes of the jazz bassman's talents. Moore, who has been featured in notable guitar magazines, plays around town these days with the Memphis Groovetet. His funky bass lines will bring to mind Stanley Clarke and Jaco Pastorius, which is not bad company. He even does an all-bass arrangement of Coltrane's Giant Steps that makes such recent bass arranged efforts by Rob Wasserman puerile in comparison.
Full of melodic invention and deft charts, Moore's own compositions are much more than excuses to jam (something Pastorius wasn't always sensitive to). Moore's locally made NNL can hold its own with any national contemporary jazz record on the market today and deserves major label distribution.