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John Daversa and his big band release his 3rd CD live from the baked potato titled, "Improvisatory Observatory: Live and Raw at the Baked Potato, Exhibit 3". With and all-star band, John leads the listener on a unique journey of song and conversation. Now available wherever you get your music!  John Daversa and Tal Cohen team up again to deliver a spectacular live CD titled: "Live Deep Dive at Timucua: The Art of Duo Live Set 1". Now available wherever you get your music!  Critically acclaimed trumpeter, composer, conductor, and arranger John Daversa joins the roster of Blue Canoe Recording Artist's with the release of his newest project titled "Improvisatory Observatory: Live and Raw at the Baked Potato, Exhibit 1" as well as the re-release of 4 other album's: * Live At Catalina's Vol. 1 * Live At Catalina's Vol. 2 * The Art of Duo, Vol. 1 (featuring Tal Cohen) * The Official Bootleg: live at bluewhale  Bassist, Composer, and Producer Joseph Patrick Moore interprets Sting's composition titled, "Captain Bateman's Basement". This cover song features J.P.M. on fretless bass, programming, production, mixing, and mastering. Learn More - Click Here   Trombonist Ron Westray self-releases a CD recorded live at Club Contxt, Toronto, Ontario-Canada. This trio features Ron Westray (Trombone), Daniel Barnes (drums), and Brendan Davis (bass). CHECK OUT RON'S OTHER RELEASES   One Saturday afternoon in April of 1997, nine Atlanta jazz musicians assembled outside a local watering hole, shuffling about, waiting for a rehearsal to begin. The joint was locked, the club owner was late, and we all knew that big bands were dead. When the Tempest Little Big Band finally sat down and began reading the charts, the cats perked up, the club owner got giggly, and the band was on their way to nearly three years of weekly bookings. That Saturday afternoon was Tempest’s first and last rehearsal. Jazz musicians hate to rehearse. They’re all about improvisation, not only when standing up to solo, but with music and life in general. It’s not so much a relish of potential disaster as it is an addiction to challenge. Tempest incorporates tangible uncertainty into their gigs. Not a club date goes by when Tempest doesn’t play something with the ink still wet: new arrangements by noted local orchestrators. Invariably, they format tunes differently and spontaneously from gig to gig. It’s kind of an unspoken, “Hey, let’s find out in front of lots of people what happens when we try this.” It’s fun.  Tempest Little Big Band a nine-piece big band featuring a vocalist, nurturing and maintaining the spirit and appeal of a quintet. This CD titled, "Round Midnight" was a long time coming: their first recorded live studio album. Nothing here was played more than a handful of times prior to the session. Three arrangements were brand new to the band. "Round Midnight" is not meant to be a hard-core jazz album. It’s simply music they like— recorded in five hours on one hot Atlanta afternoon—showcasing a snap shot of the 150+ song repertoire now in Tempest’s book. Tempest loves to play the blues. “Captain Cheerio” is one of three sets’-worth of disparate blues tunes we could have chosen here. We enjoy playing black-tie affairs, hence, the more danceable fare of “I’ve Grown Accustomed to Her Face,” “Satin Doll,” and “Sway.” Tempest has a deep, abiding reverence for the jazz classics, so you’ll hear “Shiny Stockings,” “Caravan,” and “Thermo” performed as they were originally intended. We love it all and hope it shows.  |
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