Punk Jazz Trio Megaphone Man releases "This Is Not A Drill" (live). This is a spirited live recording that captures the magic and spontaneity of this punk jazz trio.
Watch & Listen to Blue Canoe Recording Artist:
The RockTronix and their Magnificent Obsession
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Qello is the world's leading on-demand streaming service for full-length HD concert films and music documentarieswith members in more than 160 countries. Qello is the ultimate source to watch full-length concerts whenever you want, anytime, anywhere and on all your devices. With Qello, music enthusiasts can relive the concerts they loved, see the shows they've always wanted to experience, and discover artists they might never have seen.
Take a journey into the creative minds of one of the most adventurous bands of today. The Rocktronix capture on film the birth and evolution of their band including in depth interviews, unedited rehearsal footage, live performances and a full length music video.
The Rocktronix came together for the NAMM Bass Bash in 2013. They are a collaborative project drawing from the vast experience of Joseph Patrick Moore on bass (Stewart Copleland, Earl Klugh, Colonel. Bruce Hampton), Wayne Viar on drums (David Crowder, Bo Bice from American Idol) and Chris Blackwell on guitars (Geoff Mcbride, Trina Braxton, Jennifer Holiday). The film gives viewers an inside track on marrying music, video and the art of life by musicians that have much to say. By recording Magnificent Obsession in three days, the resulting product stands out with bottomless improvisation and spontaneous expression of musical ideas.
The group's chemistry is self-evident in The Magnificent Obsession Movie. Commenting on the powerful group dynamic, Mr. Moore says, "Music is a language. Without true collaboration, you're just talking to yourself". The movie shows the streaming of ideas between three veteran musicians and super-engineer Rush Anderson. Rush has worked in the studio or live with such superstars as Steve Morse (Deep Purple), Jimmy Herring (Widespread Panic) and jazz legend John McLaughlin (Miles Davis) to name a few. His vast experience and depth is palpable in the resulting tones and the quality of the production. His is a rare talent.
The diversity of the band's vision is particularly evident in the full length video for the song “When I Become A Butterfly” and “The Calling” contained in the film. Aside from the band's obvious classic rock influences, the evidence of classic alternative, electronica, jam band and even 60s era psychedelic rock. Rocktronix is a jazzy explosion of musical influences that just feels right. Magnificent Obsession the Movie grants the audience an opportunity to see how real collaboration comes together from embryonic ideas to aural and visual art.
We all have a story to tell...and this is one of obsession...a Magnificent Obsession.
Visit The Official Band Site: TheRockTronix.com
Visit The Official Movie Site: MagnificentObsessionMovie.com
Live From Austin, the latest album from trombonist Ron Westray and trumpeter Thomas Heflin. The album features internationally known artists such as Neal Caine, regular bassist with Harry Connick Jr., Eric Revis, featured bass player with the Branford Marsalis quartet, and drummer Adonis Rose, who toured extensively with Nicholas Payton. The group also features three of the top jazz musicians in Austin Texas: Elias Haslanger, Peter Stoltzman and David Sierra.
Heflin and Westray recorded the album in 2009 while living in Austin, TX. At the time Heflin was completing his doctorate in music and Westray was serving as professor of jazz at the University of Texas. The recording project was conceived as a way to capture the energy of live jazz in Austin, a city known as the “live music capital of the world.” It felt appropriate to make the recording at the jazz club, The Elephant Room, which was selected as one of the top ten jazz venues in the United States by Wynton Marsalis in USA TODAY. The recording features all original compositions from the pens of Westray, Heflin and Austin jazz star Elias Haslanger.
Ron Westray is already one of the most highly regarded trombonists of his generation. In addition to serving as lead trombonist with Wynton Marsalis and the Lincoln Center Jazz Orchestra, he is known for his collaborative album with Wycliffe Gordon on the Atlantic label entitled Bone Structure. In past years, he also toured as a member of the Marcus Roberts Quintet and the Mingus Big Band, as well as performed with a roster of jazz notables too long to list. In 2008, Westray released Medical Cures for the Chromatic Commands of the Inner City. Ron is currently an Associate Professor at York University (Toronto, CA) and also serves as the Oscar Peterson Chair in Jazz Performance.
Rising star Thomas Heflin has already gained a fan base internationally with his style and command of the trumpet. In 2005, he placed second in the Carmine Caruso International Jazz Trumpet Solo Competition in Seattle, Washington. Two years later, he released his debut album, Symmetry. Marco Maimeri's of Italy’s “Jazz Magazine,” described the CD as "… the extension of a charismatic leader with an innovative style, who has the heritage of Clifford Brown and Lee Morgan, but who does not forget the lessons of Freddie Hubbard…" In 2009, Heflin released his follow-up recording with the jazz collective “The New Five.” “Live from Austin” marks his third release on Blue Canoe Records. He currently lives in New York City where he works as the Program Manager of the Precollege Division at the Manhattan School of Music.
This exclusive Emusic.com two CD set, recorded live at the prestigious Berlin Jazz Festival showcases the true depth and artistry of Punk Jazz Trio Megaphone Man.
"Look What the Cats Drug In" opens with ripping guitar work from Dan Baraszu on "Neutron Star", a song inspired by Stevie Wonder's "Too High". There is no slowing down with the complex harmonies by Eugene Maslov on "Last Ray". Blue Canoe's stable of talented artists is further exposed in "Symmetry 1" with the fluid, highly polished lines of virtuoso trumpeter Thomas Heflin. The album continues with unimaginable horn players Bryan Lopes and Ron Westray as well as the stellar compositional and orchestral arranging of the Knoxville Jazz Orchestra. The compilation brings it home rhythmically with percussionists Philip Smith and Jimmy "Junebug" Jackson. Listen for the famous Jimmy Smith on the B3 on the final tune by Junebug, "Save Your Love For Me (live)".
"Look What the Cats Drug In" is a vibrant exploration of the post-bop gems in Blue Canoe Records' vast and ever-growing catalog. Quite literally, "Look What the Cats Drug In" displays the finest musicianship of modern jazz.
Punk jazz improvisational trio Megaphone Man, pride themselves on a loose avant-garde approach in creating their unique blend of jazz music. Hailing from Athens Georgia USA, Megaphone Man consists of Neal Fountain on bass, Jeff Reilly on drums and Bryan Lopes on tenor saxophone. With carefully crafted thematic notes and rhythms, this young group of virtuosos demand as much from themselves as they do the overall group interplay of their contributing melodic ideas. Megaphone Man's debut CD recording "Live At The Tabernacle", is such an experience.
Recorded live at The Tabernacle Concert Hall in Atlanta, GA USA, Megaphone Man's performance captures their forty-five minute opening set with headliner and James Brown sideman, Maceo Parker. Instrumental songs such as "Razor Egg Hunt", "Reoccurring Nightmare", "Fat Gambling Liar", "Miles of Rust" and "Bubble Hat" not only demonstrate clever and witty song titles, they musically transform these titles into a work of art. Megaphone Man is not timid in taking chances with their improvisational skills, which should be evident by the fact their debut CD is a live recording and not a conceived studio recording.
"Megaphone Man has a style all their own," states Jazziz writer James Rozzi. "The manner in which these accomplished musicians approach a particular tune will drastically change from one performance to the next. In an effort to maintain their own interests, they create an abundance of spontaneous, razor-sharp musical maneuvers for their audience. One concert with these guys is like a lesson in improvisational wit and daring." With Megaphone Man's turn-on-a-dime approach, one particular song will metamorphose numerous times--harmonically and rhythmically--before coming to a close. The end result is an exciting foray with enough depth to please an audience of hard-core jazz fans--or the more laid back patrons of the jam band circuit.
Describing the music of Megaphone Man is difficult. Although all members shy away from calling themselves a jazz trio, their music contains full elements of jazz--and then some. "We all have wide varieties of music in our backgrounds," states Fountain, "so I think it best not to call ourselves a 'jazz band' per se." Whether it's hard-bop, funk, free-form, R&B, R&R, country…you name it and Megaphone Man has it in the mix somewhere. As Lopes (whose inspirations include Coltrane and Joe Lovano) is quick to inform, "Hey, if I want to quote Led Zeppelin, I'm going to quote Led Zeppelin!"
In 2001, Atlanta based culture rag and weekly newspaper 'The Creative Loafing', named Megaphone Man the "Best Jazz Band" in the Atlanta metro area. One only has to listen to "Live At The Tabernacle" to see why the Creative Loafing title holds true. The trio of bassist Neal Fountain, saxophonist Bryan Lopes, and drummer Jeff Reilly is genuinely articulate, highly artistic, intellectually stimulating, and perhaps best of all, full of surprises. If this debut CD recording is any indication into the future of Megaphone Man, many exciting performances and musical journeys await.