 Blue Canoe Records proudly presents The Trouble With Dogma, the highly anticipated sophomore release from multi-instrumentalist and composer Neal Bowen. Officially dropping July 11th, 2025, the album is a dynamic journey through instrumental jazz and progressive rock, showcasing Bowen’s visionary approach to genre-blending and sonic storytelling. Following the success of his debut, Neal Bowen returns with a bold, exploratory statement that expands his musical palette. On The Trouble With Dogma, Bowen commands bass, keys, guitar, and oversees the mixing and mastering process, underlining his deep creative control and artistic range. The project also features a powerful lineup of collaborators:
Released via Blue Canoe Records, the album continues the label’s mission to spotlight original, forward-thinking artists in the world of jazz, fusion, and beyond. The Trouble With Dogma will be available on all major streaming platforms on July 11th, 2025.   Blue Canoe Records is proud to announce the release of Terminus, the full-length album from Cryptic Cadet, a bold new art-rock trio comprised of renowned musicians d. mark owen (Cirque Du Soleil), drummer Cam Tyler (Cirque Du Soleil), and the legendary bassist Tim Lefebvre (David Bowie, Tedeschi Trucks Band). The 11-song collection of all-original music will be available worldwide on June 13, 2025, across all major streaming platforms and music retailers. At the crossroads of progressive rock, cinematic soundscapes, and deeply emotive songwriting, Terminus is a sonic journey that defies conventional genre boundaries. Spearheaded by d. mark owen’s visionary production, arrangement, and mixing, the album is a meticulously crafted showcase of musical depth and emotional intensity. The project is elevated by an impressive lineup of guest artists, including guitar luminaries Michael Landau, Lyle Workman, and Matt Ascione. Vocals are powerfully delivered by Will Champlin (NBC’s The Voice, Season 5 finalist), with soulful background harmonies from Lucy Woodward (Snarky Puppy, Pink, Chaka Khan) and Ken “Fletch” Walcott. Track Listing – Terminus
Cryptic Cadet’s Terminus is more than a sophomore release—it’s a statement.  Bassist, Composer, and Producer Joseph Patrick Moore interprets Sting's composition titled, "Captain Bateman's Basement". This cover song features J.P.M. on fretless bass, programming, production, mixing, and mastering. Learn More - Click Here 
Keyboard phenom and composer, Cody Carpenter releases his latest effort titled, "Balance Of Extremes". Now available in the Blue Canoe Store and wherever you get your music!
Featuring:
Keys: Cody Carpenter Guitar: Marco Sfogli Bass: Jimmy Haslip Drums: Gergo Borlai Mixing/Mastering: John Spiker Album Art Design: Mizoguchi "Mizo" Nobukatsu Produced: Cody Carpenter & Jimmy Haslip  Cody Carpenter has once again delivered a high-energy instrumental progressive rock album titled, “Memories and Dreams”. Carpenter’s signature piano and keyboard chops are as instrumental as it is interpretative which leads the listener on a unique odyssey. Cody’s compositional and arranging skills continue to shine with his fourth CD as a leader and this original eleven-song outing. With “Memories and Dreams”, Cody takes the listener on a musical journey by way of flourishing keyboard phrases, deep grooves provided by bassist Jimmy Haslip, driving drums featuring Jimmy Branly, Virgil Donati, Scott Seiver. and the group is rounded out by the virtuosic guitar playing of Marco Sfogli and Cody Carpenter. Carpenter’s newest album project “Memories and Dreams” has more than lived up to his fans’ expectations of nothing less than 11 amazing examples of musical perfection.    Photo Credit Greg Vorobiov Lyle Workman hasn’t just had a successful career—he’s had three. As a sideman and first-call session musician, he’s toured and recorded with everyone from Beck and Sting to Frank Black, Tony Williams and Todd Rundgren; as a composer for film and television, he’s written music for box office blockbusters that have earned over a billion dollars worldwide, including Superbad, The 40 Year Old Virgin, and Forgetting Sarah Marshall; and as a songwriter and solo artist, he’s written a hit single and earned praise from guitar heroes like Steve Vai and Steve Lukather. Now, Workman is set to bring all three of his disparate worlds together with “Uncommon Measures,” a stunning new instrumental collection featuring a 63-piece orchestra captured live at Abbey Road Studios in London. “This record ties together all the different threads of who I am as an artist,” explains Workman. “It was four years in the making due to my film and TV schedule, but it’s really the culmination of a lifetime in music.” Bursting at the seams with soaring arrangements and virtuosic performances, ‘Uncommon Measures’ plays like the score to some epic film from an alternate dimension, mixing elements of progressive rock, jazz fusion, and romantic classical music with gleeful abandon. The songs here are living, breathing entities, constantly growing and evolving in ways both subtle and drastic, and the production is similarly unpredictable, veering from larger-than-life bombast to whispered intimacy and back, sometimes within the very same track. Grand as the record is, though, it’s Workman’s eye for detail and gift for melody that remain front and center throughout. He paints vivid, emotional portraits on the album with his evocative guitar and keyboard work, crafting an immersive, cinematic universe plumbed entirely from the depths of his subconscious in spontaneous, improvised writing sessions. The result is a record as extraordinary as it is unexpected, a captivating, transportive song cycle that manages to scale the heights of joy and sadness, love and friendship, self-discovery and celebration, all without a single word. “I’ve always felt like the muse is much more intuitive and in touch with my emotions than I am,” says Workman. “Writing these songs, I tried to just go into this tabula rasa state of mind, a meditative place where I could let the music tell me where to go.” Indeed, music has been a faithful guide for much of Workman’s life. Born and raised in San Jose, California, he fell in love with The Beatles at an early age and taught himself guitar by listening to their records. While Workman’s tastes would expand over the years—Genesis and Yes brought him to Mahavishnu Orchestra and Miles Davis, which led him to Ravel and Debussy—he would always hold a special place in his heart for the simple pleasures of a perfectly crafted pop song. After studying music in college, Workman joined a band out of Sacramento called Bourgeois Tagg, which landed a deal with Island Records, and co-wrote the hit single “I Don’t Mind At All,” which climbed the charts on both sides of the pond and helped earn the group performances on the Tonight Show, Top Of The Pops, American Bandstand, and their European equivalents. Bourgeois Tagg proved to be a launching pad for Workman, who, after recording two albums with the band, soon began picking up work in the studio and on the road with a wide array of big-name artists. “The great thing about being a sideman is that every gig is an education,” he reflects. “Whether I’m working with artists like Beck or Sting, Todd Rundgren or Frank Black, Norah Jones or Bryan Adams, they’re all worlds unto themselves, and playing with them is a chance to step inside their heads and understand how they create.”  From L to R: Herbie Hancock, Tony Williams, Lyle Workman, Stanley Clarke. Photo Credit unknown In many instances, the influence flowed both directions. Workman co-wrote songs on Sting’s ‘57th & 9th,’ for example, and composed the track “Machu Picchu,” which appeared on late jazz icon Tony Williams’ final album, ‘Wilderness.’ “I was a huge fan of Tony’s playing with Miles Davis and beyond,” says Workman, “so it totally blew my mind when he invited me to come to his place and start collaborating. We worked on ideas together for about a month, and when we recorded ‘Machu Picchu,’ we had Stanley Clarke and Herbie Hancock playing it with us. It was an incredible experience.” As a sideman, Workman learned what it took to help bring other artists’ visions to life, a skill set that also made him ideally suited for the world of film and television. Gigs writing commercial jingles gave way to composing jobs for indie films, which opened the door to major studio releases and a connection with Judd Apatow, who began hiring Workman to score his films and television series. Successful as he became, though, something was still missing for Workman. He’d released a trio of well-received solo albums in the ’90s and early 2000s, but as his sideman and film composing careers exploded, he found that he had to put his own artistic visions on the backburner. “I absolutely love all the work I get to do with other artists and filmmakers,” he explains, “but sometimes you need to articulate your own thoughts and feelings as a writer, too. There’s a singular satisfaction that comes from creating something that’s a pure expression of yourself.”  And so Workman embarked on the epic journey that would become ‘Uncommon Measures,’ beginning at first by shutting off his mind and simply letting the music flow in his Los Angeles studio. From those improvised guitar and keyboard sessions, he began shaping discrete songs, some short and sweet, others clocking in at ten minutes and consisting of multiple suites and movements. Next, he assembled an all-star band to help flesh out the core material, tapping drummers Vinnie Colaiuta (Joni Mitchell, Frank Zappa) and Matt Chamberlain (Bob Dylan, Bruce Springsteen) along with bassist Tim Lefebvre (David Bowie, Wayne Krantz) and pedal steel wizard Greg Leisz (Eric Clapton, Jackson Browne,) among other A-Listers. Finally, with the intoxicating grooves of a fully realized rhythm section in place, Workman began the lengthy back-and-forth process of creating orchestral arrangements with John Ashton Thomas, the orchestrator extraordinaire behind films like Black Panther and Captain Marvel. “For the most part, I’d start with an orchestral mockup using computer samples, which John would then take and run with,” says Workman. “On the track ‘Arc of Life,’ though, I used guitar to map out the harmony and counterpoint intended for strings, woodwinds, and brass, and then had John apply it to the orchestral domain along with his own brilliant embellishments, which make the piece even more grand and dynamic. John and I grew up with the same influences, so there’s a personal and professional kinship between the two of us, along with a deep mutual respect for each other’s musicianship, that made the record such a joy to create." When it came time to record the orchestra, Thomas cherry-picked 63 of London’s finest players and gathered them at Abbey Road for nine-and-a-half hours of pure magic. The session was a “pinch me” moment for Workman, both as a kid who grew up obsessed with The Beatles and as a composer finally seeing his vision come to life. “Being in that studio with the orchestra playing my songs, it was like hearing everything go from black and white to Technicolor,” he explains. “They added a soul and a humanity to everything that was just so beautiful and three dimensional.” That soul and humanity lies at the heart of ‘Uncommon Measures,’ which showcases not only Workman’s unparalleled musicianship, but also his profound empathy and expansive emotional vocabulary. Tracks like the dizzying “North Star” and pulse-pounding “All The Colors Of The World” balance breakneck guitar runs and instrumental fireworks with moments of deep calm and poignant reflection, while more playful tunes like the ecstatic “Noble Savage” and funky, horn-fueled “Unsung Hero” revel in the joys of creative freedom. As the record progresses, Workman finds himself looking inwards more and more, appreciating the beauty in melancholy with the meditative “Labyrinth Of Love” and finding hope for the future on the expansive “Rise And Shine.” As varied as the tracks here are—the final song, “Our Friendship,” is actually a Thomas composition inspired by the pair’s working relationship—there’s an underlying cohesiveness that binds the collection as a whole, a unified approach to the music rooted in a radical exploration and embrace of the self. “If there’s any one thing that ties all of these songs together,” says Workman, “It’s the power of expressing yourself at all costs, of free falling into the music with complete abandon. When I’m working on a film or someone else’s record, there are always parameters to follow and opinions to consider, but here, there were no boundaries at all. I could do anything I wanted.” For an artist like Lyle Workman, when the possibilities are infinite, the infinite becomes possible. ‘Uncommon Measures’ is proof of that.  Lyle Workman - Photo credit Greg Vorobiov  Guitarists Nicolas Meier and Dewa Budjana (Group) release an amazing original album titled, "Flying Spirits" featuring Jimmy Haslip (bass), Asaf Sikis (drums), and Saat Syah (flutes). Mixed and Mastered by Karma Auger and Eric Gobel and produced by Nicolas Meier, Dewa Budjana, and Jimmy Haslip. About Nicolas Meier Photo Credit and courtesy Gregory Heath UK-based guitarist Nicolas Meier has carved a reputation out as one of the world's most original and uniquely talented guitarists. Drawing from a love of Turkish, Eastern & Middle Eastern music, Flamenco, Tango and more -- all mixed with jazz -- Meier's versatility and musical fluency extends well beyond that, even. (... so much so, that his considerable talents drew the attention of rock guitar legend, Jeff Beck, who made Nicolas a mainstay in The Jeff Beck Group -- carrying him on two world tours during the course of the last several years). Nicolas has worked with: Jeff Beck Group Jimmy Haslip Vinnie Colaiuta About Dewa Budjana Photo credit and courtesy Sigi Baramsky Dewa Budjana’s band Gigi has been going strong for more than twenty five years now –packing out huge venues and selling millions of albums. In an historical context, Dewa Budjana is unquestionably one of his nation’s well known, beloved musicians. But Gigi represents a fraction of his musical persona. A master composer, arranger and producer, Dewa Budjana has, in just a few short years, amassed a masterful collection of progressive music albums as a solo artist – work which transcends genre, in glorious fashion. Dewa has worked with: Peter Erskine - Bob Mintzer - Antonio Sanchez - Ben Williams - Joe Locke - Gary Husband - John McLaughlin - Vinnie Colaiuta - Jimmy Haslip - Jimmy Johnson - Mike Landau - Guthrie Govan - Chad Wackerman - Jack Dejohnette - Tony Levin - Jordan Rudess - Mohini Dey - Marco Minnemann - John Frusciante - Mike Stern and many others...   Dewa Budjana Group (from L to R): Saat Syah, Nicolas Meier, Dewa Budjana, Jimmy Haslip, Asaf Sikis. Photo credit and courtesy - Sigi Baramsky |
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