Blue Canoe Records releases “Cody Carpenter’s Interdependence”, the debut effort from Cody Carpenter on January 26th, 2018. Mr. Carpenter combines the best of 80’s synth-pop with the jazz / rock fusion of that time to create a complex, breakneck brew that both inspires and energizes.

Cody Carpenter is the son of Adrienne Barbeau, a star of film, television and the Broadway stage, and legendary Academy Award winning writer, actor, composer, producer and director John Carpenter. The Senior Carpenter is best known for classic horror films (Halloween, The Fog, The Thing) and sci-fi thrillers (Escape From new York, Starman). As a composer, he is known for synthesizer-based pieces and is perhaps best known for the theme song to the movie Halloween (1978). It is not difficult to see how Cody Carpenter comes by his synthesizer based compositions. Cody was introduced to his first musical instrument around the age of three and has been playing and composing original music ever since. In addition to contributing music for two of his father’s films, Vampires (1998) and Ghosts of Mars (2001), Carpenter composed and performed the full-length score for “Cigarette Burns” and “Pro-Life” in Showtime’s Masters of Horror (2005) movie series. Cody co-wrote, co-produced, and performed on the acclaimed Lost Themes (2015) and Lost Themes II (2016) with his father and Daniel Davies. In 2016 and 2017 Cody toured North America and Europe with his father and a six piece band, performing material from both Lost Themes albums and his father’s films.

Cody Carpenter opens his debut with the expansive track “Jinrai Fuuretsu”. The Emerson Lake and Palmer drenched opener rushes out of the gate like a tornado. Mr Carpenter’s driving synth melody bashes up against the phenomenal rhythm section of Scott Seiver (drums) and Jimmy Haslip (bass). Mr. Seiver has worked with current pop stars including Aimee Mann, Jack Johnson and Jason Mraz. He also drummed on Grammy award winning recordings for Tenacious D and Flight of the Conchords. Mr. Haslip was a founding member of jazz fusion superstars The Yellowjackets and has worked with Bruce Hornsby, Chaka Khan, Al Jarreau and Donald Fagen among others. The track opens powerfully and then soars wistfully before Mr. Carpenter drives the listener back home to its powerful opening theme…only to spin back to a thoughtful passage. The track resolves only to leave the listener yearning for further insight.

Another track of note is “Thinking Of What Might Be”. Mr. Carpenter’s gracious synth melody drifts out in front of the tight, pulsating rhythmic punches. While much of Cody’s music is fairly complex, this straight-forward tune harkens a daydream on a sunny afternoon. Mr. Carpenter even steps out with a contemplative guitar solo midway through that sits perfectly afloat on the steady rhythmic offering.

“Cody Carpenter’s Interdependence” is a brilliant entry for Cody Carpenter that has been a long time coming. Drawing on the many years of playing with John Carpenter and his accomplices, Cody finds his own unique voice all while the accepting the independence he has come by honestly. “Cody Carpenter’s Interdependence” deserves a serious listen.

Atlanta, GA (October 28th, 2016) - The latest release from The Yonrico Scott Band, "Life of a Dreamer", displays Mr. Scott's solid jazz fundamentals and solid groove that his fans have come to expect. From jazz to power soul to funk and rock, this album manages to fuse genres effortlessly all while delivering a foundation that forces foot-tapping engagement from listeners. Mr. Scott even ventures into the jam-band arena as he invites in the legendary Col. Bruce Hampton and Reverend Jeff Mosier for an exercise in head bobbing.

Yonrico Scott is an American Grammy Award-winning drummer and percussionist. He was a longtime member of The Derek Trucks Band and is currently the drummer for recent sensation Royal Southern Brotherhood featuring Cyril Neville. In 2010, Scott accepted the Grammy Award for Best Contemporary Blues Album for The Derek Trucks Band for their 2009 album, "Already Free". Mr. Scott has played with industry big-names such as Stevie Wonder, Warren Haynes, Whitney Houston, Peabo Bryson, John Denver, and The Allman Brothers to name a few. With the Derek Trucks Band, he served as percussionist and contributing songwriter for 16 years.

"Life Of A Dreamer" opens with an instant funk rock classic "Don't Give Me". This dynamic mover harkens back to Mr. Scott's days with The Derek Trucks Band with its forceful groove and old soul vocals. "How much is too much", he sings just before the momentum evolves into riff- trading among the keys and guitar. "Don't give me one more chance", he bellows before the big finish of horns and powerful percussion...but the listener must listen on.

"Don't Give Me" leads directly into the title track, "Life Of A Dreamer (Suite For Marimba)". It opens with Mr. Scott stretching out by putting his melodic skills on display with a fantastic marimba intro. His dynamics are genius and create a hauntingly beautiful echo that sets up the approaching horns masterfully. This is definitive Yonrico Scott...a solid jazz number with a strong rock back beat. He shows that he is a master of melody in this big, expansive number that shows his percussion skills in definitive fashion. The number winds down with Yonrico returning to the marimba as he and bass master Joseph Patrick Moore slowly bring in the guitar and horns for the grand finale

Mr. Scott shares compositional credit on several tracks, of note is "Corner Of The World". Producer, writer and bass man Joseph Patrick Moore contributes this composition as he smoothes things out with this jazz number. The juxtaposition of Scott's patented percussion with the interplay between bass and guitar is breathtaking. Kofi Burbridge's organ work on this number rounds things out and delivers this soulful piece with style.
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From the opening track to the "bonus" track, "Life Of A Dreamer" does conjure up a dreamy potion that contrasts tension with tranquility and delivers a memorable collection throughout. The seductive groove and melodic composition demands replay and is destined to be known as Yonrico Scott's most powerful release to date. Give this a listen...you'll be seduced into by the "Life Of A Dreamer".

Atlanta, GA (June 6th, 2016) - On June 24th, 2016 Blue Canoe Records will release “Decade II 2006-2015” from baseman and producer, Joseph Patrick Moore. Mr. Moore looks back over the past decade and remixes the hits for a fresh new perspective. His work fuses elements of contemporary jazz, for which Mr. Moore is famous, with funk, rock, pop, urban, spiritual and even electronica for a compilation that keeps listeners on their toes. 

Joseph Patrick Moore is a prolific jazz, pop and rock musician as well as producer, session musician, film composer and author. He has worked with artists such as Stewart Copeland (The Police), Earl Klugh, Bob James, Chris Duarte, Celtic Women Lisa Kelly and Chloe Agnew to name a few. “Decade II” is fresh on the heels of “XYZ Factor” and “To Africa With Love” where Mr. Moore coupled its release with a mission trip to Africa. There he was involved personally on the front line of support for the amazing and lost continent. JPM gives a taste of all…work from soundtracks (Path To Geshe), solo work (XYZ Factor and To Africa With Love), group projects (The RockTronix) and projects with friends (Christmas Time Is Here with Dan Baraszu and work with Soulful genius Chinua Hawk).

“Decade II” opens with the expansive “Ubuntu” originally on “To Africa With Love” (2010). Mr Moore leads with a looped bass formation and drives a powerful line over the top. Joined by supportive guitar and keyboards, the melody tells a beautiful story of hope Moore saw during his time spend in Africa. The anthem finally gives way to a subtle electronic feel in the melody as it fades to the next track.

“Quest” is a song that JPM wrote for Yonrico Scott’s solo album, “Quest Of The Big Drum”, featuring Scott (Grammy winning drummer with The Derek Trucks Band and Royal Southern Brotherhood) and Nick Rosen. The listener enters the song on a light bed of keyboards with chaotic bass playing over the top. The chaos gradually finds peace with a deep, impassioned funk rock groove with a tantalizing melody from Rosen’s keyboard. Quest indeed!

“Magnificent Obsession” is a rock number from Mr. Moore’s band The RockTronix that is saturated with mischievous interplay between Chris Blackwell’s guitar and Mr. Moore’s sparse fretless bass line. The testimony builds throughout, graduating from funky, colorful guitar textures to full on rock guitar and back again. “Magnificent Obsession” shows again not only the versatility of Mr. Moore but also the capability of his accomplices.

“Decade II 2006-2015” is a comprehensive look at the last ten years from a true music talent of our day. Joseph Patrick Moore manages to fuse current and classic and he makes it look easy. Truly, the listener is left impatient…what will the next “Decade” bring?

“Touch Of Blue”, the fifth album from epic guitar man Bill Hart. This bold, current effort fuses rock and bits of blues and jam-band to form a unique blend of Satriani-like soul.

Bill Hart was born and raised in Ontario, Canada and began playing guitar at the young age of nine years old. Influenced by the diverse guitar style of Jimi Hendrix, David Gilmour, and Jimmy Page, he came up playing non-traditional places like theaters where he performed “The Rocky Horror Picture Show” and “Little Shop of Horrors”. Mr Hart has studied under master guitarists such as Mike Stern, Wayne Krantz and Scott Henderson and has been the head of the guitar department at the Atlanta Institute of Music & Media for over 25 years. He has opened for jazz greats Herbie Hancock, Marcus Miller, Lou Rawls, Yellow Jackets, Acoustic Alchemy, Joey Defrancesco, Norman Brown, Rippingtons and Mike Stern among others. Touring all over Latin America, Mr. Hart was awarded a letter from the U.S. Embassy in Venezuela for his contribution to the students in South America.

“Touch Of Blue” opens with a haunting guitar melody that is answered by Pat Strawser’s chiming piano calls. Soon, Mr. Hart and Enrico Galetta’s singing bass are engaged in a back and forth conversation and “Deep Skies” is off to the races. Set on the frame of Jaungui Aguayo’s driving rock back-beat, “Deep Skies” is a five minute onslaught of non-stop energy.

“That’s Purdy” is a sassy number melting the established rock beat with pure funk overtones. Jazzy piano interjections, a funky rhythmic feel and Mr. Hart’s patented rock guitar are the perfect follow up to “Deep Skies”. The middle of the song opens up and the keyboard takes a solo that matches Hart’s intensity and the melody soars as piano and guitar trade reflective musings.

“Touch of Blue” is an intelligent, no nonsense adventure that cuts to the quick and gives a modern perspective on rock fusion. Bill Hart releases the hounds and the listener is guaranteed a wild ride through a kaleidoscope of sound, texture and pulse. Take a ride with Bill Hart’s “Touch Of Blue” today...this one is not to be missed.