Blue Canoe artist, Hiroe Sekine, is back in the spotlight with her fourth release, "Hiroe's Spirit". With this bold effort, Ms. Sekine brings fresh, unique arrangements to jazz and classical songs in a very original way.
A native of Japan, pianist Hiroe Sekine has been living in the Los Angeles area since 1993, performing at many venues, festivals, and others, including the Jazz Concert Series at Los Angeles County Museum of Arts (LACMA) in 2014 and 2016. Ms. Hiroe studied jazz at University of Southern California Thornton School of Music. In 2010, Ms. Sekine's debut album, "a-mé", was named by "All About Jazz" as one of the 25 best albums of the year. Ms. Sekine's long-time musical relationship with Russell Ferrante of the YellowJackets continues on "Hiroe's Spirit" and the result is a classical crossover stunner. Over the years, she has worked with musical greats such as Bob Sheppard (Chick Corea, Steely Dan, Michael Brecker, Joni Mitchell), Tony Dumas (The Manhattan Transfer, Chick Corea, Etta James, Mariah Carey), Peter Erskine (Weather Report, Pat Metheny, John Scofield,) and Abraham Laboriel (Al Jarreau, George Benson, Quincy Jones, Ray Charles) to name a few.
"Hiroe's Spirit" opens with a dramatic rendition of “Pavane pour une infante défunte” by French composer Maurice Ravel. It begins with Ms. Sekine hinting at the melody with her strong piano phrasing against a simple drum beat. Bob Sheppard floats to the front with his sax and takes over melodic duties before the listener is drawn in by spirited accompaniment with Michael Valerio (bass), James Tate (drums) and Akira Jimbo (shaker). Together they reach the summit with dramatically soaring sax ringing triumphantly in the end.
Another very original take on Spirit is Ms. Hiroe's version of Ave Maria. She chooses a very upbeat approach with riveting drum and bass intro. The great Abraham Laboriel contributes both electric bass and vocals in this unique approach to the standard. The changes in rhythmic patterns throughout the interpretation keep the listener engaged as Ms. Hiroe falls in with a breathtaking piano solo that will leave an audience wanting for more. At the end, all come together in a force of rocket-paced bass groove along with subdued vocals that magically just works. Creatively divine, indeed!
"Hiroe's Spirit" is an intelligent, stand-out creation that will not be matched this year. Take a ride with Hiroe Sekine's "Hiroe's Spirit" today....this one is not to be missed.
Joseph Patrick Moore updates the catalog with his 12th solo release, "Nevada Sun". Two years in the making, Mr. Moore has teamed up with...well, himself...to produce just right album at exactly the right time. He produced the album and plays every instrument himself while, per his usual modus operandi, spanning genres from smooth jazz to Persian groove...from pop to funk and even a reggae-tinged number.
For nearly two decades Joseph Patrick Moore has been touring, recording, and establishing himself as an artist with a unique voice and a diversity of talents. His skills as bassist, composer, arranger, producer, author, educator and founding partner of Blue Canoe Records and Blue Canoe Digital. Moore's music and creative vision echo the spirits of Quincy Jones, Herbie Hancock and Miles Davis to name a few. Over the years, Mr. Moore has played with some of the great musicians of our time including Earl Klugh, Stewart Copeland (The Police), Bob James, John Popper, Derek Trucks, Michael Tolcher (A&M/J Records), Colonel Bruce Hampton, Bo Bice (American Idol) and many others. The record label he created in 2003, Blue Canoe Records, recently put out two releases of trios that included 22-time Grammy Nominee and 3-time winner Jimmy Haslip (former Yellowjackets bassist and founding member). In his "spare time", Mr. Moore is an on call artist for the Cirque du Soleil show, “KA” at the MGM in Las Vegas...he keeps talented company.
"Nevada Sun" opens with the title track, a funky pop number that reaches out and grabs listeners attention straight out of the gate. Mr. Moore lays down a solid foundation with the drums keeping steady time against soaring guitar injections. Meanwhile, bouncy keyboard textures give way to a melody that grips the heart immediately until finally a solitary voice leads listeners gently to “Movement of Light”. Smooth jazz radio is tailor made for Nevada Sun's second track. Piano and a strong rhythmic figure point the listener to the genius of JPM's signature bass melodies. The journey of “Movement of Light” really highlights Mr. Moore's multi-instrumental talent and melodic sensibilities.
Further into "Nevada Sun", "Fearless" is like an infusion of cotton candy. It opens with an elastic piano hook on the upbeat...reggae style. Aside from the attention it garners, the steady island vibe and the sparse instrumentation in places really allow for the delivery to breathe in a resoundingly hopeful and playful way. "Fearless" is bound to be a go-to track on "Nevada Sun".
Once again Joseph Patrick Moore delivers the goods. The fusion of styles along with the constant pop and jazz sensibilities will make "Nevada Sun" rise to the top of your playlists. Be on the lookout for multi-media renditions of tracks from the album produced and filmed by, you guessed it, Joseph Patrick Moore!
Atlanta's jazz guitar master Trey Wright has released his latest solo effort, "Begin Again". Mr. Wright puts together a moving group of songs inspired by his recovery from a depressive episode in 2016 and dedicated to ex-bandmate the late Carl Lindberg (Squat, Grogus, Old School Trio). ”Begin Again" also features Marc Miller (bass - The Atlanta Pops Orchestra), Marlon Patton (drums - John Patitucci, Randy Brecker, Rufus Reid, Wycliffe Gordon), Laura Coyle (vocals - twice featured performer at the Atlanta Jazz Festival) plus Sam Skelton (Matchbox 20, Train, Edwin McCain, The Gap Band, and The Ohio Players) and Grammy winner Mace Hibbard (Derek Trucks, Susan Tedeschi, and Tommy Dorsey Orchestra) on sax.
In 1994, Mr. Wright co-founded the Athens/Atlanta based jazz band Squat. The group is a six-time winner of Best Jazz Band at the Flagpole Athens Music Awards and has been a featured artist at the Atlanta Jazz Festival. Several of Trey’s compositions with the group have received international airplay and have been featured on Sirius/XM radio and NPR’s All Things Considered. Mr. Wright also performs freelance in the Athens and Atlanta area and has performed with John Patitucci, Joe Lovano among others. Trey has performed at the Montreux Jazz Festival and in early 2008, he began playing with the Georgia Symphony Jazz Orchestra.
In 2006, Trey released his first CD "Where I’m Calling From", receiving rave reviews and airplay throughout the United States, New Zealand, England, Australia, Germany, Italy, Canada, Luxembourg, Scotland, and The Netherlands. The Trey Wright Trio released "Thinking Out Loud" in 2009 on Blue Canoe Records. In 2010, the CD was included in the first round of Grammy Nominations/Entries for Best Jazz Instrumental Album. Trey’s long-awaited collaboration with Grammy-winning saxophonist Mace Hibbard "The Hibbard/Wright Project" was released in May 2013. In 2015, Mr. Wright released his Blue Canoe follow up titled, "Songs From Oak Avenue". Since 2017 Trey has been working with vocalist Laura Coyle as a duo and she is featured on three songs from “Begin Again”.
"Begin Again" leads off with a moving tribute to Carl Lindberg entitled "From Now On". Mr. Wright says of this work, “...it was inspired by Carl’s passing but over time the song began to represent all of the life changes I experienced in my early 40's”. Trey starts off with a sweet-toned arpeggiated bounce that sets the song's theme. He is quickly joined by expert rhythm section Marc Miller on bass and Marlon Patton on drums. Mr. Wright lets it breathe with a spacious solo as the rhythmic dynamics drive the bus. As the solo fades, Mace Hibbard really brings some energy with a soaring saxophone melody. Unique ideas, sympathetic solos and melodic mastery mark this stellar opening track.
Also of note, Laura Coyle knocks out the Joni Mitchell classic "Hissing of Summer Lawns". Ms. Coyle really nails Mitchell's unique phrasing and, while distinctly marking her territory, brings an immediately recognizable feel to the melody. The collaboration is not to be missed and, as Mr. Wright puts it, “Laura and I collaborated on a concert of Joni Mitchell’s music at Kennesaw State University and I thought it would be fun to record one of the songs. The song references suburban ennui which, although the album is overtly hopeful, I think fits the tone of the album”. Wright concludes, “For me, recording this album was cathartic and a reminder that you can always begin again.”
Past Press Quotes:
"Wright’s playing serves to accentuate the rich harmonic ambiance of the compositions. It is sparse and floating, at times almost minimalist, but tastefully captivating." - Mike Reynolds, muzikreciews.com
"Trey Wright knows how to arrange and build a track to tell a story, merging music and drama into a seductive mix that maintains a strong grip on your attention. With its mainstream accessibility and distinctive sound world, Wright's music is truly original." -AllAboutJazz.com