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Tennessee-born jazz trumpeter Thomas Heflin delivers a remarkable new collection of songs, titled, “Morning Star”. This dynamic modern jazz, R&B, CrossOver album features eleven original compositions and one cover song by the late great James Williams.
Thomas Heflin is a virtuosic trumpeter, composer, arranger, educator and all of his talents are on full display with his latest release. Jazz and music fans will welcome this creative output from the bright star of Mr. Heflin.
Keyboard phenom and composer, Cody Carpenter releases his latest effort titled, "Balance Of Extremes". Now available in the Blue Canoe Store and wherever you get your music!
Featuring:
Keys: Cody Carpenter Guitar: Marco Sfogli Bass: Jimmy Haslip Drums: Gergo Borlai Mixing/Mastering: John Spiker Album Art Design: Mizoguchi "Mizo" Nobukatsu Produced: Cody Carpenter & Jimmy Haslip  Otmaro Ruiz & Bruno Mangueira's album titled, "Essência" is now available in Physical CD format directly in the Blue Canoe Records Store.  Drum extraordinaire and composer Sinclair Lott delivers a thoughtful straight-ahead jazz album with a modern twist. Featuring Bob Sheppard (saxophones), Tigran Hamasyan (piano), Danny McKay (bass), and Sinclair Lott (drums). This ten song album titled, "Long Story Short" features seven original compositions and three cover tunes by Dizzy Gillespie, Dave Brubeck and Ornette Coleman. Fans of traditional jazz will enjoy listening to Sinclair's Story of music with this uplifting collection of compositions and performances.   Keyboardist Scott Kinsey is known for many things — being a close friend and protege of the late Joe Zawinul, an integral member of the iconic fusion band Tribal Tech and pushing subsequent boundaries with his adventurous groups Human Element, the Zawinul Legacy Band and ARC Trio. In a continually evolving career, Scott’s operational motif is embodied by the word “exploratory.” Enter vocalist, songwriter and electric bassist Mer Sal (Meridith Salimbeni), a Coloradan with a fresh presence on the LA scene who spent years honing her songwriting, vocal and performance craft while fronting bands around the West to rave reviews. Through a series of recent (and fortuitous) introductions to top players and producers, Mer was invited to participate in The Native Dancer Series: A Tribute to Wayne Shorter and Karl Sterling’s Dream: Parkinson's Global Project. Both of these projects saw her performing along with many other top-shelf musicians, including Jimmy Haslip, Peter Erskine, Nir Felder, Gary Novak and Jeff Richman. Mer and Scott first crossed paths on one of these sessions and there was something of an instant connection between the two. After their initial meeting they kept in touch, exchanging lyrical and musical ideas. Mer continues, “I sent Scott the beginnings of a song, which he arranged and reharmonized. When I returned to LA to live, he played it for me. It blew my mind, it was so incredible — and incredibly thoughtful.” It’s that uncommon connection and synergy that fires the collaborative and creative union between the two, the fruits of which come through on Adjustments.  Part of the mojo transmitted on the album owes to the individual musical path each has taken and the different processes they have developed to achieve their respective musical ends. They also seem equally taken by the other’s abilities. “It’s interesting,” Kinsey says, “because she writes all this poetry — pages upon pages of text. I look at it and say, ‘There’s no song there.’ But when I ask what she has in mind, she starts singing and I can’t believe it, it’s totally there... a melody, a direction, a concept... everything.” Sal concurs: “I’m a poet, but I’m equally a singer, so the melody comes out hand in hand with the lyrics. I usually hear some sort of harmonic background to the melodies while I’m writing but now that I know what Scott does with them, I try to come up with melodies that lend themselves to Scott’s process. I love hearing him ‘Scottify’ them.” Kinsey adds, “She has a full song there — melody, lyrics and chords — but I actually don’t want to hear the chords; I don’t want them to influence what I might do. I want to keep my freshness, with the melody and the lyric and that’s it. This gives us individual roles to play. She comes up with the lyrics and the melody, then I can put my thing to it.” One might think that Kinsey, with a background steeped in instrumental, soloing-oriented music, would have altered his approach for the album’s song-based collaborations. “To me it’s not really that different.” Kinsey explains. “I still say, what is the melody, what is the story — just as I would with a saxophone player or guitarist — and write around that.” But Scott readily admits that having Sal in the mix sparks different inspirations. “It’s because of her voice. I love orchestrating around that and end up writing more harmony. With busier instrumental records, the music is already dense. But with Mer’s voice I can hear all this lush stuff going on around it.”  The fact that Adjustments displays some of Kinsey’s most innovative writing, playing and arranging to date may indeed owe to having Sal as talented muse, but it’s also the singer’s authenticity that effectively grounds Kinsey’s work like never before. Her original songs, such as the opening “Tiny Circles,” display a certain valiant fearlessness for a songwriter whose emotions run so palpably close to the surface. “I recorded that in my studio in Colorado and it was the first one I sent to Scott. I felt that in my life, I was walking in tiny circles instead of the bigger ones where I wanted to be. It’s kind of admitting my shame — so I could get through it.” But even when the pen presses hard lyrically, it’s not only taken aloft by Sal’s engaging vocals but by Kinsey’s (sometimes counterintuitive) treatments: “I had a general concept that if it’s a very, very dark lyric, I won’t enhance it with more darkness. I don’t want it to sink deeper into that pit but keep it afloat by lightening it up. Just like I might put slightly darker things around a really happy lyric or melody — enhance it by pulling it the other way a bit.” This symbiosis also carries over into the duo’s wonderfully creative takes on some classic (if not surprising) cover material on the album. Steely Dan, The Beach Boys, even Blondie’s “Heart of Glass” — (Kinsey’s an unapologetic Blondie fan) — all are freshly reimagined by the pair. Perhaps none of these are more emblematic of the Kinsey/Sal union than the wonderful joining of Joni Mitchell’s “Down to You” with Weather Report’s “Jungle Book” — something of a talisman and surely among the album's high points. The icing on the cake for Adjustments is undoubtedly how the proceedings are further raised by having so many of the sought-after, A-list musicians of Kinsey’s world (e.g., Scott Henderson, Oz Noy, Tim Lefebvre, Hadrien Feraud, Gergö Borlai and others) uncommonly colliding with Sal’s. This propels the music beyond today’s retrograde “jazz vocalist” albums that seek to rekindle nostalgia for the singer-fronted jazz band. Nor is it another in the recent stream of barely distinguishable, vocal-forward, jazz/neo-soul hybrids that proliferate in the modern soundscape. In their own way, what Scott Kinsey and Mer Sal exhibit on Adjustments speaks to an intersection as uniquely compelling as when Jaco met Joni. A modern entity, to be heard on its own terms. Says Mer, “We want to change what’s considered the norm a little.” And in light of the music that she and Scott have brought forth here, listeners will happily make their own “adjustments.” Biography written by Mike Jacobs  Denny Jiosa Signature ModelThe FX-PF007 is a grand auditorium sized guitar with a solid book matched Bolivian Rosewood top and book matched Bolivian Rosewood back and sides. The bevel armrest adds comfort while playing. This model also includes the FXT electronics with built in delay, chorus and reverb. Boliivian Rosewood grain is tighter than a typical rosewood specimen, and it is thought to have a more distinctly percussive tone. Its tonal response has tight lows, present mids and a clear, singing high end response. It has a rosewood fretboard and bridge, plus a bone nut and saddle for added tone. The custom gold die-cast tuning machines complete this guitar with a very unique combination of exotic top and back woods. All Willow Creek Guitars ship with D'Addario coated strings. We are excited to have Denny Jiosa as part of our team. Denny is recognized and respected worldwide as one of the most dynamic and soulful guitarists on the scene today. He is best known for his six smooth jazz projects, all garnering Top 5, and 10 positions on the smooth jazz charts, as well as delivering his #1 hit single "Wounded Warriors" in the UK. His hit song, “Lights of The City” was SESAC’s #1 most played jazz song of that year, reaching #5 on the smooth jazz charts. He is equally at home in the studio as a renowned producer and engineer. With four Grammy nominations to his credit, his production skills range from Americana, rock, blues, latin, gospel,and jazz. He has worked with artists such as gospel sensation Yolanda Adams, Master guitarist Phil Keaggy, the late Bobby Hebb (Sunny), Saxophonist Kirk Whalum, Drummer Chester Thompson (Genesis, Santana), Country star Crystal Gayle, Phillip Baily, Ronnie Laws, and Take 6. Click Images Below To EnlargeBlue Canoe welcomes The JVM Collective with their debut release titled, "Frontiers".  The JVM Collective features: Denny Jiosa (guitar), Roy Vogt (bass), and Tom Moller (drums). This Nashville Jazz trio delivers a creative and powerful album of beautiful original compositions, deep grooves, and inspiring improvisations titled, "Frontiers". Fans of instrumental, eclectic music will surely love The JVM Collective and their 8 song album titled, "Frontiers".  |
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