Bass phenom and multi-grammy winning artist Jimmy Haslip, re-releases his albums titled, "Red Heat (feat. Joe Vannelli)" and "Nightfall (feat. Joe Vannelli)". Jimmy and Joe's collaboration is a remarkable partnership in masterful artistry, both in performance and production. Fans of Jimmy and Joe will be moved by the memorable compositions, incredible playing, and masterful interplay displayed on both albums "Red Heat" and "Nightfall".
Gergo Borlai is a monster drummer, and composer from Budapest, Hungary. His latest album titled, "The Missing Song" is an original tribute album dedicated to influential drummers that have inspired Gergo. All the song titles are named after nine chosen famous drummers. All songs composed and arranged by Gergo Borlai except “Terry” composed and arranged by Alex Machacek. "The Missing Song" will surely inspire many drummers and musicians just as Gergo'sinfluences have inspired him.
Gergo Borlai has appeared on more than a 500 albums, received two lifetime achievement awards and two "gold record awards," as well as the Golden Drumstick Prize and the Artisjus Lifetime Achievement Award. Besides being a band member and session/studio musician of world renown productions and with Grammy awarded musicians, Gergo also became a clinician/educator all over the globe.
Some of the names Gergo has performed and recorded all over the planet: Gary Willis (USA), Jimmy Haslip (USA), Scott Kinsey (USA), Jeff Lorber (USA), Scott Henderson (USA), Nathan East (USA), Dean Brown (USA), Vinnie Moore(USA), Jeff Beal (USA), Matthew Garrison (USA), Tom Scott (USA), Bob Mintzer (USA), Hiram Bullock (USA), L. Shankar (India), Tony McAlpine (USA), Vernon Reid (USA), Terry Bozzio (US), Al DiMeola (USA), Hadrien Feraud (F), Yolanda Charles (GB).
Stream | Download | Buy - The Missing Song
“Essência is a joyful romp through the musical landscape of the Americas guided by master pianist Otmaro Ruiz and exciting new guitar virtuoso, Bruno Mangueira. Their musical partnership is informed by their Venezuelan and Brazilian heritages fused with their deep love and understanding of American jazz and the European classical tradition.
Otmaro and Bruno flawlessly navigate this landscape with a program of eight original compositions and two standards. Each song feels like a suite, taking us through a wide range of dynamics and emotional territory. Impressively, their original compositions sound like they could be standards. They evoke the timeless feeling of classic songs by Tom Jobim, Hermeto Pascoal, and other Brazilian masters while maintaining the vibrancy of the present. There are hints of Bach, Chopin, and lush harmonic passages that will send music theory students racing for their notepads.
I love the program’s intelligent balance of composition and improvisation. In the Brazilian tradition, one might expect the balance to be weighted toward composition and jazz, toward improvisation. Essência has managed to marry the two in a cohesive and natural way. The song construction is airtight while the performances and improvisations take us for a wild and exciting ride. Neither Otmaro nor Bruno shy away from taking chances. The gorgeous yet sometimes unexpected harmonies are constantly shifting and it takes a skilled improviser to make their way through this treacherous terrain and arrive safely on the other side. Otmaro and Bruno are our able guides.
Duo playing demands an extraordinary level of musicianship. Every note, every gesture is exposed. The musicians must breathe together and have an almost telepathic connection. Each player must fully grasp the entirety of each piece, as their constantly shifting roles require them to alternately supply melodic, harmonic, and rhythmic support for one another. It’s a daring high wire partnership calling for empathy and a deep commitment to the music and to one another. Otmaro and Bruno embody these qualities throughout. Essência celebrates the joy of two master musicians as they explore the essence of their beloved musical traditions in this intimate setting and guide us to new landscapes and possibilities.”
- Russell Ferrante (YellowJackets), August 2019
Pianist/Composer Silvio Amato delivers a remarkable beautiful album titled, "Variations of Relevance" produced by Grammy Award Winner Jimmy Haslip. Featuring guest appearances by The Budapest Symphony Orchestra, trumpeter Randy Brecker and many other talented musicians on this Jazz Crossover release.
After an intensive career as a young pianist working for important pop Italian singers in Catania, his birth town, Amato moved to Milan in the mid-’80s, where he continued his work as a composer and an arranger. During this time, Amato began to collaborate with a variety of pop artists; his musical productions extended to a wide range of sectors, but the television-cinematographic one received the most focus. Among his productions, the most significant ones are his compositions for children’s TV shows of the Italian network, Mediaset.
Just as remarkable are his productions of all genres for the main national networks: theme songs for prime time shows and newscasts, TV shows and soap operas, sit-coms and TV movies. Amato’s productions also include numerous movie soundtracks, such as for the movies “I Mitici” (“The Heroes”) by Carlo Vanzina, “Svitati” (“Screw Loose”) with Mel Brooks, “Ti voglio bene Eugenio” (“Eugenio, I love you”) with Giuliana De Sio and Giancarlo Giannini, and the soundtrack for Jerry Calà’s “Torno a vivere da solo” in 2008 and “Operazione Vacanze”, in 2011. Amato frequently collaborated with spotlighted artists in the Italian music scene, who have appeared at various points in time at the Sanremo Music Festival: “Ti penso” composed for Massimo Ranieri for the 42nd edition of the Sanremo Festival and “Amoreunicoamore” sung by Mina in her 2010 album “Caramelle”, among others.
In 2005 Amato began his collaboration with the Wild Rose Company in London, and was commissioned to compose music for their dance shows on ice. His compositions for Snow White on ice (2005), Peter Pan on ice (2006) and Beauty and the Beast on ice (2007) were sensationally successful for both critics and audience. In the last few years, Amato’s creative activity has taken various paths: on one side, his cinematographic compositions; on the other, his productions for orchestras and musical ensembles. The latter category includes his Religious Cantata for voice, chorus and symphonic orchestra, his Ricercare in re minore for the sax, soprano, and organ, composed for the duo Tagliaferri-Sciddurlo, and his The Happy Prince, a musical tale for instrumental ensemble and voice over. This last work, created in March 2006, was published by Feltrinelli-Curci within the project “arte solidale” in collaboration with ACLI. This opera was performed by the Instrumental Ensemble Scaligero (directed by Flavio Emilio Scogna and by Gabriele Lavia, voice over), who, in the summer of 2007 performed, The Happy Prince in Japan. In 2009 the opera was performed in various Italian theatres. Also in 2007, in collaboration with the Ambrogino d’Oro, a children show founded in 1964, Amato participates with the song “Dino and Tino”, that was awarded the first prize.
In 2009, Amato moved to the USA where he began various collaborations in the cinematographic, theatrical, and TV sectors. The opera “Religious Cantata” that was initially developed in Italy towards the end of 2008, was finally produced, and much acclaimed, in 2011 in Boston, with the title “Illuminessence, prayers for peace”. This piece marked the closing of the events in memory of the victims of 9/11 in New York. The opera was performed by the orchestra and choir “The NEC Youth Philharmonic”, directed by Benjamin Zander. The concert was broadcast on air by WGBH nation-wide and was streamed world-wide
It is with a heavy heart that we share the news on the passing of Blue Canoe Recording Artist Yonrico Scott. Mr. Scott was a drummer, percussionist, vocalist, visual artist, educator, and a true friend and champion of our label. Yonrico released four albums for Blue Canoe and worked with many in the industry such as Derek Trucks, Earl Klugh, Whitney Houston, Peabo Bryson, Col. Bruce Hampton, Royal Southern Brotherhood and so many more. The people he touched with his gifts is unmeasurable. His spirit will live on and we ask that you pray for his family during this difficult time.
"A man in harmony with life and spirit, always in search for the new positive energy ..." - Yonrico Scott
A statement from Grammy.com
Joseph Patrick Moore updates the catalog with his 12th solo release, "Nevada Sun". Two years in the making, Mr. Moore has teamed up with...well, himself...to produce just right album at exactly the right time. He produced the album and plays every instrument himself while, per his usual modus operandi, spanning genres from smooth jazz to Persian groove...from pop to funk and even a reggae-tinged number.
For nearly two decades Joseph Patrick Moore has been touring, recording, and establishing himself as an artist with a unique voice and a diversity of talents. His skills as bassist, composer, arranger, producer, author, educator and founding partner of Blue Canoe Records and Blue Canoe Digital. Moore's music and creative vision echo the spirits of Quincy Jones, Herbie Hancock and Miles Davis to name a few. Over the years, Mr. Moore has played with some of the great musicians of our time including Earl Klugh, Stewart Copeland (The Police), Bob James, John Popper, Derek Trucks, Michael Tolcher (A&M/J Records), Colonel Bruce Hampton, Bo Bice (American Idol) and many others. The record label he created in 2003, Blue Canoe Records, recently put out two releases of trios that included 22-time Grammy Nominee and 3-time winner Jimmy Haslip (former Yellowjackets bassist and founding member). In his "spare time", Mr. Moore is an on call artist for the Cirque du Soleil show, “KA” at the MGM in Las Vegas...he keeps talented company.
"Nevada Sun" opens with the title track, a funky pop number that reaches out and grabs listeners attention straight out of the gate. Mr. Moore lays down a solid foundation with the drums keeping steady time against soaring guitar injections. Meanwhile, bouncy keyboard textures give way to a melody that grips the heart immediately until finally a solitary voice leads listeners gently to “Movement of Light”. Smooth jazz radio is tailor made for Nevada Sun's second track. Piano and a strong rhythmic figure point the listener to the genius of JPM's signature bass melodies. The journey of “Movement of Light” really highlights Mr. Moore's multi-instrumental talent and melodic sensibilities.
Further into "Nevada Sun", "Fearless" is like an infusion of cotton candy. It opens with an elastic piano hook on the upbeat...reggae style. Aside from the attention it garners, the steady island vibe and the sparse instrumentation in places really allow for the delivery to breathe in a resoundingly hopeful and playful way. "Fearless" is bound to be a go-to track on "Nevada Sun".
Once again Joseph Patrick Moore delivers the goods. The fusion of styles along with the constant pop and jazz sensibilities will make "Nevada Sun" rise to the top of your playlists. Be on the lookout for multi-media renditions of tracks from the album produced and filmed by, you guessed it, Joseph Patrick Moore!
Low end powerhouse and former Yellowjacket backbone, Jimmy Haslip collaborates with pianist, composer, arranger and educator Otmaro Ruíz and virtuosic rhythm guru Jimmy Branly for a project that is a perfect mix of composition and broad audience appeal. Mastered by Grammy nominee Rich Breen (Herbie Hancock, Norah Jones, Peter Erskine, Charlie Haden and more), "elemental" is a current jazz classic bringing elements of old and new to keep fans on their toes.
Grammy nominee Otmaro Ruíz (2016), composer of most of the "elemental" tracks, holds an honorary doctorate from Shepherd University and has played with all the modern greats...Gino Vannelli, John McLaughlin, Tito Puente, Steve Winwood, John Patitucci, Vinnie Colaiuta just to name a few. Mr. Ruíz is regarded as one of the most sought-after keyboardists on the scene yet still finds time for teaching. He is a frequent guest clinician at Los Angeles Music Academy and Musician's Institute.
Jimmy Branly is from Cuba and began his studies at the Conservatory of Music in Havana Adolfo Guzman and ENA (National School of Art). Mr. Branly also has played with greats from all genres including Colin Hay, Abraham Laboriel, Michael Nezmith, John Patitucci, Doc Severinsen, Ricky Martin, Andy Garcia, Natalie Cole, Gloria Estefan, Emilio Estefan. He performed at The White House in 2013 a Latin presentation for President Obama.
Jimmy Haslip was a founding member and 32 year band mate of The Yellowjackets. Mr. Haslip has been nominated for 22 Grammy awards and has won 3. Over his 50+ years of playing, he has contributed to the biggest names in music over a plethora of genres (Jeff Lorber, David Sanborn, Jerry Garcia, Bruce Hornsby, Chaka Khan, Allan Holdsworth, Oz Noy to name a few)
"Elemental" opens with "A Good Start" and right out of the gate leaves listeners slack-jawed. The high energy mover leads with dramatic injections from both Mr. Branly and Mr. Ruíz. These lyrical jabs give way to a simple, soaring melody on keyboards that establishes the emotional trajectory for the rest of the song. The trio brings the audience up then down then back up again all the while compelling exquisite anticipation. The troupe rewards in the end with a crescendo of harmonic punches as "A Good Start" gives way to "Greed".
"Greed" leads with a coy, sly keyboard melody that is enticing. Mr. Branly and Mr. Haslip jump in quickly in a way that are both supportive and improvisational. The listener is left with a slightly uneasy feeling as the rhythm's presence rolls up and down and moves from support to spontaneous until Mr. Haslip steps out with a subdued but perfect solo. Mr. Branly rounds things out and brings it in as Mr. Ruíz's keyboards sail home.
"Elemental" is a fusion of the most talented jazz artists of our time. More than that, though, the resulting sound is clearly greater than the sum of it's parts. When asked to comment on the compilation, Otmaro Ruíz thought carefully and stated simply, "Music for All". Indeed...music for all.